1/10 #MentalHealthMatters - read on if you are interested in arts & mental health. This is a practical guide that talks about the impact of the pandemic @ace_national@HENLEYDARREN@DCMS - we @closeandremote have spent the last 18 months responding to the situation.
2/10 #MentalHealthMatters - March 2020 all of our work was cancelled @closeandremote - along with other artists we were in trouble. With digital & painting skills we reinvented our workflow, not overnight but by trying things out. Zoom went from novel to necessary...
3/10 We quickly realised that people struggling with mental health did not want to spend time online. It needed a different approach. With @2NQLondon#ArtSchoolinaBox was developed. It's a very simple idea - you get an art workbook & all the materials in a box, with some tea bags
4/10 We delivered a 6 week course with @IslingtonMind - we had tears, laughs & we did art together. Confidence grew, Zoom became a social space & we taught watercolours online. We learned that being alone was hard & often combined with physical health issues. But it was working
5/10 As #ArtSchoolinaBox came to an end we had learned some important points:
• sometimes you just have to listen
• we are artists not therapists
• people appreciate artists skills & methods
• You don't have to talk online all the time
• Be open to the room
6/10 We tried out art history lessons in the @2nq workshops with @malcolmgarrett doing a 15 min spot. We covered the work of Sophie Taeuber Arp & typography. That worked. It was a bit like a radio show online...we'll do that again...
7/10 We were lucky to have some @ace_national emergency money, so we devised #TelegraphHill with @blgmind - we are delivering this right now in the rain! Our big take-away #MentalHealthMatters is that people are still concerned about public spaces. So, we've split our group...
8/10 We've half online & half at #TelegraphHill. We now know that online is here to stay. It reaches into people's homes safely & they like public space too. Parks. Here a small group is learning to observe colour in the park with the #TelegraphHill workbook...@LewishamCouncil
9/10 And at the same time another group is working on Zoom, learning watercolour method. #LetsCreate will mean new approaches like this. But they are focussed on the needs of people who are coming out of the worst pandemic for over 100 years. Gently, things change.
1/10 This is the story of The Machine Stops by EM Forster, written in 1909. It's also the story of #AI#Brexit & #China. You could be a theatre director looking for a gig, an academic researching the future of #AI or a citizen of #China ...read on...
2/10 The Machine Stops tells the story of Vashti and Kuno (her son) who live in standard rooms with The Machine providing everything through screens that deal in 'second hand' information. Vashti does not like the idea of travelling & trusts the omnipotent machine for everything.
3/10 Kuno is more rebellious; he has heard of people living above ground on the earth. He persuades Vashti to visit him IRL & she does. He tells her he doesn't like the confines of The Machine & that he has visited the surface. The Machine disapproves of 'unmechanical' behaviour.
1/10 This is a knowledge dump about mobile #AR#opensource#XR etc. To get this look at mutiny.org.uk/portfolio/elea…
1 The state of #AR for public works often focusses on images
2 More interesting experiences (walking) focus on spatial audio
3 Building in web has limits, but pays off
2/10
4 The client will want exact tracking of 3d spatial #AR objects
5 GPS variability across devices won't allow exact tracking
6 Open source strategies introduce adaptability & immediate testing on site
7 App stores are dead ends for dead apps (18 month cycle) @closeandremote
3/10
8 The sweet spot for 'locative' media is integration of the senses, in Eleanor as you walk along the River Wensum the boats & oars are panned left @SandyNuttgens
9 Sound design for software is a potential growth area, it needs people who get software & sound
1/10 There is the Cult of the Brand and the Culture of Making. This seems to underpin the creative industries in Brexity Britain. Read on if you are struggling to fill BA/MA arts courses or maybe you have too many. Also if you are a culture brand or outside the charmed ring...
2/10 The Cult of Brand applied to the arts institution is all about communication. It takes a classic approach. We can spend a fortune on the new logo, some great copywriting & an equal amount on digital presence...
3/10 The Culture of Making (now demised) focusses on the activity of the framework, the things that happen inside it. It may be rough on the outside - the building, the logo etc - but the investment is in the practice and creative process...
1/11 A message to @Keir_Starmer - @UKLabour needs to focus on a 'Fair Play' programme. A simple message about fairness across society, not wonky sound bites like 'levelling up'. Here is the 'Fair Play' programme...
2/11 Placing people from all cultures, 'classes' & walks of life in office, so we have a representative democracy...
3/11 Focussing the economy on sustainability, skills & connectivity. Incentivising young people to grow their own creative & sustainable businesses with small grants...
Machine Learning: Feature - The North Will Rise Again. The North of England has an incredible historical connection with the industrial growth of Britain. Why does Boris Johnson's 'levelling up' seem so empty, yet still attract Northern voters?
If we go back to the looms & cotton spinners of the early industrial revolution, mechanised approaches increased productivity exponentially. Great cities, such as Manchester, grew around the shift from cottage industry in the county of Lancashire, to full scale production plants.
This economic jump was not unrelated to Britain's expanding empire & ability to import cotton; itself driven by the slave trade. From our history lessons, we will know that contingent growth of the railways & evolution of steam trains made England into a connected country.
2/10 Logistics with #COVIDー19 & people being displaced was tricky. It meant more organisation & planning. So, we went for this 1|2|2. 3 Zoom days & 2 physical days. The presentations on day 1 went very well & the artists presented their work, guest talk by @MarcusRomer
3/10 Mtg in Coventry for real was amazing for all of us, for many their first adventure out. Some ppl had been impacted by Covid. We went in search of the River Sherbourne that lies beneath Cov. Outdoor talk by @ryanhughes2@CovBiennial totally worked alongside watercolours...