It's astounding how often spicy scenes get trashed in fantasy, but I find I spend way more time working them out--especially because they have to serve a lot of purposes.
For me, it's always an emotional/character moment. The reader is going to be REALLY paying attention now.
This is especially true in a romance, where the characters are coming together for the FIRST TIME.
It's got to have that emotional punch, and a lot of complexity. Otherwise it's like a bad fight scene. Lots of equipment/weapons, and bad choreography.
Personally, for me, *how* a character initiates intimacy, with whom, and in what way, is a big glimpse into who they are.
I love writing it.
*also applies how they DON'T*
(I also write asexual characters sometimes, but in this case talking about my demis and allosexuals.)
But if I hear one more hot take that's like "I loved this fantasy novel but people had sex in it and so I hated it" I might spontaneously combust.
• • •
Missing some Tweet in this thread? You can try to
force a refresh
1 - 🎃 Welcome to #ThreadTalk! It's the spookiest month & we're jumping right in with a look at ghostly garb👻!
Thrills, chills & blood-curdling horrors await as we take a trip through history & ask the question: "Okay, but what would that ghost *actually* be wearing?" 🎃
2 - We're starting in Japan. Because Japan has the best ghosts & my favorite art. Yūrei (幽霊) are closer to a Western concept of ghosts, but spirits of all kinds are common through Japanese folklore.
This one is from the incredible Bakemono no e, dating from around 1700.
3 - The Yūrei are often depicted as women with long, black hair. By the date of this print, I'd say a kosode (a kimono precursor) would be a good match.
The colors are natural, pale, haunting. You see in the embroidered closeup, too, all the sea grass & shellwork. Just wow.
1 - It's time for #threadtalk! Today's topic, the Grand Dame of Damask: Anna Maria Garthwaite.
This silk icon has quite a tale, but so does her stomping ground of Spitalfields, London.
And beyond the frippery? The horrors of 18thC England: persecution, riots & taxes🕍🔪💷
2 - Anna Maria was born in 1688 in Lincolnshire, to Rev. Ephraim Garthwaite & Rejoyce (rad name). The family was well to do & Anna Maria would have had a basic education. She showed early artistic prowess, like in this 1707 cut-paper work of a village w/remarkable detail.
3 - I mean, look at the incredible detail on this. Each and every tree has a different shape & leaf pattern, far beyond basic representation. The little horse and rider, the delicate horns on the deer. Painstaking work here that foreshadows the skill of an artist, to be certain.
Buckle up, though. There is a distinct lack of dazzle today.
We're meeting the makers & laborers of apparel history--& how they lived & died for their craft.
2 - In Asia, & China specifically, silk became one of the first real fabric blockbusters for trade during the Han Dynasty, beginning the Silk Road.
Traditionally, weaving was left to women while men farmed & sold, and this continued as trade grew.
3 - Francesca Bray puts it simply in "Textile Production & Gender Roles":“The growth of the textile industry involved new forms of organization of production that made men the skilled workers and marginalized women.”
This is by no means unique to China. It's the story of fabric.
1 - Hey folks! It's a surprise #threadtalk on the medieval theme of the moment: #TheGreenKnight! I just had to come out of hibernation to talk about what I saw in the theater.
Velvet! Crêpe! CROWNS! Pentagrams! I've got you covered. Well, at least *partially*. 📗🪓
2 - Yes, we're starting with that cloak & color choice. Keeping things spoiler-free here, Gawain is seen wearing a golden velvet cloak very early on.
It's quilted, so nice & warm. It's golden, but also a bit ochre--yellow can mean golden, but also... well, cowardice, y'know?
3 - Velvet is a perfect choice for the nephew of Arthur. It's HELLA expensive (as we've covered; links later). This is SILK velvet. Not polyester crap from the 70s. And it takes skilled labor beyond reasoning to make.
But it also *absorbs light*. I feel like this is essential.
Do I hate Lancelot? No. I'm mostly French. I enjoy quite a bit of the French stuff. I also like that he sticks it (hahahahaha) to Arthur.
Do I hate Malory? Hate is a strong word, but I think a lot of Malory is crap and ruinous.
That said, I'm generally of a mind that nearly everyone in the Arthurian canon is terrible in one way or another.
As I said in my #GreenKnight review: it's about entropy and destruction, a golden age deteriorating toward a dystopia.
There are glimmers of joy, but it's rough.
Love means treason; loyalty means war.
Unification means subjugation and cultural erasure.
Mordred isn't the problem. Uther begins the whole dynasty with unspeakable violence and deception. Magic is the scapegoat, but it's a weapon of war just the same.
1 - Tonight's #threadtalk is a horse of a different color: green to be exact.
We'll talk emerald🟩, verdigris & olive🫒, too. Plus the connection between wallpaper, poison☠️ & privilege.
First: some color history back to our (literal) roots. (below, Redincote, 1786 - 1789)
2 - If you peruse art history books, you'll notice: finding vibrant green dresses before the 18th century is quite a challenge.
And there is a reason for that: green it a notoriously difficult color to capture affordably & reliably.
Unless you're, you know...
3 - And even so, truly vibrant greens are even harder to find. This is for a number of reasons.
First & foremost, green dyes were often a combination of woad with other common dyes. Or natural dyes oxidized very easily. That meant fading, staining, and changing colors.