▪️Mamuthones and Issohadores proceed along the streets of Mamoiada, with the Issohadores (the men) leading the Mamuthones (the animals) into a ritual dance towards their sacrifice.
▪️The Boes of Ottana are led by the Merdules (shepherds) and recite the ritual love dance of oxen between themselves. At times, a Boe falls and sa Filonzana approaches, spinning and then cutting the thread of life
Otzana:
Shorter:
▪️S'Urthu of Fonni goes around running and climbing everywhere, held by a chain to the Buttudos. The animal-man is always in search of women to hug but can be quieted with wine or sweets.
▪️ The most impressive rite is that of su Battileddu of Lula, where a man, the fool of the village, is ritually drawn, beaten and killed. The people begin mourning his death until he's revived by a glass of wine. This is the most clear Dionysian rite.
▪️ The Mamutzones of Samugheo parade in their horned masks and bells, holding a staff originally adorned with periwinkle. At some point, they put their masks on the ground and jump in circle around one of them, dying on the ground.
▪️ The Maimones of Oniferi go around with a puppet, until one of them falls dead. The other men, dressed as widows, begin the Sardinian ritual mourning, until the man is revived by wine.
The women dance the rite of s'argia for a dying man.
Last year, I also made a thread about Sa Sartiglia, the equestrian joust of medieval origins which celebrates the May and the rebirth of Nature:
▪️ During Sa Sartiglia, the head of the joust, the demigod, su Componidori, leads the 120 horse(wo)men in a race to catch a hanging star with their swords. Afterwards, the knights and amazons attempt acrobatic figures on horseback.
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Thread about the town of Làconi, border between Barbagia and Campidano.
Laconi rises in the plain of Sarcidano, border between the mountainous lands of Barbagia and the fertile, wheat fields of Campidano and Marmilla, position which gives it a fundamental role in History.
The area has been inhabited since Neolithic times and we find villages from-
-Nuragic and Prenuragic ages. One of the most important discoveries has been the recovering of the decorated menhirs now kept in the Museum of Sardinian Prehistoric Statues, hosted in Palazzo Aymerich ⬇️. These menhirs, all coming from the surrounding area of Laconi, show-
Thread about the medieval codex of the town of Villa di Chiesa, famous for its details about mining work.
📸 A page of the fourth book of the codex
Villa di Chiesa (today's Iglesias) first appeared in records in 1272, but it is likely it existed as a town since some time earlier. The Iglesiente is famous for its mines of silver which have been exploited since the Nuragic times.
After the dissolution of the Judicate-
-of Calari, Villa passed into the hands of the Count Ugolino of the Gherardesca of Donoratico (a Pisan noble family), who built the (now) cathedral in 1284 and the enclosing walls. It later fell directly into the hands of the Commune of Pisa and it's been the first town to be-
Thread about Saint Anthony's festival, beginning of the Carnival traditions in Sardinia.
📸 Boe of Ottana
Saint Anthony the Abbot was born in Egypt and the appellative of "de su fogu" (of the fire) differentiates him from Saint Anthony from Padova. This "nickname" derives from the ritual of lighting up bonfires in his honour, on January 17th.
In Sardinia, on that day, wood is-
-gathered in the squares of the town and set on fire. People who expressed vows the previous year can bring larger pieces of wood. The bonfire is usually fed with cork. Smaller bonfires can be used to jump over them. The soot is used to paint faces black (sign of fertility-
Thread about the representations of Sardinia in art, literature and movies from the 19th century to the 'colonial' view, the ethnic body and the counter-reaction of Sardinian artists.
📸 Biasi
This thread covers a rather complex topic, that I don't mean to analyse in all the details. What makes it difficult is not only the way non-Sardinians saw the Island, but also the way the locals used these views to create a (false) unified, single identity, taking to the-
-extremes what was actually true. This discussion will therefore follow both the external and internal points of view.
This analysis begins from the 19th century, when the current of Positivism aroused a general interest towards different cultures. Often (if not always) this-
**Sardinian STEREOTYPES and criminal anthropology**
From Cicero to criminal anthropology, all the insults and harmful ideologies Sardinians had (have) to face.
📸 A couple of Sardinian bandits.
This is going to be a little heavy topic, involving different kinds of discrimination.
The first ones who had something to say against Sardinians were the Romans, who didn't manage to fully take control of the people. Native people still attacked Roman settlements from-
-their own refuge in the inner mountains of Sardinia. The Romans called them barbarians, because they did that to everyone, and the modern name of Barbagia derives from that. But the stereotype wasn't only for the people inhabiting the mountains, but for all Sardinians.
Sardinian pastoral songs, UNESCO intangibile heritage since 2006.
📸 Tenores of Bitti
Sardinia has a long poetic and chants tradition, linked to each other. Singing was considered a male talent, so that a typical saying told "women are born crying, men are born singing", even if we also had occurrences of women leading choirs, and women used-
-to sing in their everyday activities.
The cantu a tenore is a traditional singing linked to pastoral life and requires a group of people. The group is called tenore, from which the chants take the name. The group is usually made up by four people, with one soloist ("sa boghe")-