For example, here's a quire from August of the Sanctorale section. I've found 5 of the original 8 leaves of the quire, including two formerly-conjoint bifolia (in bright green):
Using the new feature, I can actually see the reconstructed outer bifolium of the quire! Here's the outer side, showing the catchwords on the final verso (left) and the conjoint first recto (right):
This is a really important feature for fragmentological reconstructions. When #OttoEge dismembered a manuscript, he actually took it apart carefully: snipping the threads in the center of each quire and lifting out each bifolium. The last step was to "split the atom," as it were,
...by cutting each bifolium in half. VCEditor allows me to not only reconstruct the manuscript leaves in sequence but to actually reverse that last step by visualizing the conjoints! These two leaves (in Toronto & Buffalo) haven't seen each other since they were divided in 1942!
FINALLY, if you want to learn how to do all this and more (paleography, liturgiology, codicology, and all of the delights that make up the discipline of #fragmentology), apply for my Fragmentology course @rarebookschool this summer! rarebookschool.org/courses/manusc…
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Today is the feast day of St. Thomas Aquinas, who is absolutely definitely and for real the patron saint of illegible handwriting. Here's his script in Vatican Library, Vat. Lat. 9850, written 1260-1265.
A note in this manuscript added by Aquinas' secretary Reginald of Piperno basically says that you could read this text too, if only you could find someone who could make sense out of Thomas' handwriting!
Well, you asked for it, so here it is: a brief history of the mighty ampersand! #BreakfastPaleography
The character we know as the ampersand [&] is used in nearly every Latinate language as a stand-in for the word [and]. But it didn’t start life as an abbreviation. It is actually a ligature, a Latin combination of two letters: [e] and [t], or [et], which in English means [and].
Now that you know that much, you can sort of tell that early ampersands are a capital [E] connected to a [t], right? But then the basic form gets stretched and twisted and transformed until it doesn’t really look like e+t anymore.
OK, folks, brace yourselves because here comes the ultimate #BreakfastPaleography thread, in which I will follow the development of the wonderful, magical, mysterious and apparently very flexible letter [g] over the course of more than 2,000 years!
We’ll start in Rome, then jump up to the British Isles before heading back to the Continent. Buckle up, ‘cause here we go!
First up, majuscule [G]. This is the boring part of the story. Ancient Latin epigraphic and numismatic inscriptions form capital [G] in just about the same way we still do. Here’s one from 1st-c. Pompei. There, that was easy! db.edcs.eu/epigr/bilder.p…
So I thought about going to a museum in Boston today before Omicron shuts them all down but it's damp and foggy and cold and so I think I'll spend the day thinking about interesting paleographical features of the #Voynich manuscript instead. Here comes a Voynich paleography 🧵
Among the most unusual symbols in the manuscript are these, known to Voynichologists as “gallows.” There are four, classified by the number of legs and the number of loops. For convenience, we call them (l-r, t-b) f, p, k, t.
Gallows behave in interesting and not-yet-understood ways. They appear to be able to be ligated, like these specimens:
That's all, folks. Here comes a thread on the Vinland Map, one of the OTHER controversial objects at the Beinecke (and here you thought it was all about the #Voynich)...
The story of the map's time in New Haven is fascinating. In the 1960s, the Italian-American community was furious that the map, when thought to be authentic, "proved" that other explorers from Europe had crossed the Atlantic before Columbus (gasp!) (nvm that we knew that already)
Here are some images of political cartoons and letters that Yale received in the '60s from angry alums and members of the Italian-American community:
This manuscript is a collection of Saint’s Lives and begins (f. 2r) with a visual table of contents: Gottschalk presenting his finished book to the Virgin and Child, with saints around the border. St. Nicholas is in the center right, as Bishop of Myra.
On the verso are four scenes from the Life of St. Nicholas, with original verses as rubrication around the edges.