In my last thread, I looked at how medical practitioners through the 19thC understood stress, and particularly the work of Charles Mills. 1/
Today, I'll use a passage from Mills's 1884 study of mental overwork among 'professional and public men' to consider Castlereagh's behaviour preceding his suicide on August 12, 1822--changes that bear strong similarities to what Mills identified as acute nervous exhaustion /2
Mills identified warning signs:
"excessive irritability of temper; depression of spirits; morbid impulses and fears; constantly recurring thoughts, phrases, or suspicions; sense of effort; impairment of memory and attention; and change in habits and methods of mental work." 3/
Castlereagh's final days certainly show depression and irritability. Wellington recounted that on August 6 and 7 the Foreign Secretary was in low spirits and disinterested. At the cabinet meeting re his instructions for the Congress of Verona, Castlereagh barely said a word. /4
By August 9, Wellington recounted meeting quite a different Castlereagh who was extremely agitated and prone to openly weeping. (Image: 'The Blue Devils' by George Cruikshank, 1823) /5
Others had noticed increased irritability that was quite out of character. Woodbine Parish, one of Castlereagh’s assistants, later recorded that Castlereagh, “showed (at what I don’t know) an impatience and irritation so unusual in him, that I was greatly struck by it.” /6
Castlereagh also exhibited a preoccupation with suspicions and fears leading up to his suicide. Wellington’s memoranda indicate that the one thing that did fix Castlereagh’s interest on August 6th and 7th were the letters he had received as part of a perceived blackmail plot. /7
There are also indications that Castlereagh’s paranoia had been running for months before that fateful weekend. Close friends were stunned to hear in June 1822 that Castlereagh suspected Wellington, of all people, of trying to edge him out of cabinet. /8
In terms of morbid impulses, Castlereagh’s signals on August 10/11 were notable enough for those in his household to take precautions against suicide. On August 10, Castlereagh’s wife hid his pistol box and key, and on the 11th hid his razors. (Img: Lady Castlereagh, c1820) /9
Gronow indicates that Castlereagh’s interest in the position of the carotid artery could be traced back to a conversation with Dr. Howell, Gen. Packenham’s personal physician, during a dinner in Paris in 1815 when the General noted that Castlereagh was 'in a strange mood.'/10
Giles Hunt has posited that Castlereagh exhibited worrying memory lapses in the House of Commons earlier in 1822, including drawing blanks about important matters that had been front-page news. /11
Finally, Castlereagh’s under-secretary, the 3rd Earl of Clanwilliam, recounted that the Foreign Secretary had started to show a loss of focus, and a greater sense of the effort involved in his official duties in the weeks before his suicide. (Img: Clanwilliam by Lawrence) /12
Clanwilliam said Castlereagh had showed “an unusual restlessness of mind” and “a degree of restlessness about trifles entirely alien to his general disposition, such as to have said that he dreaded then responsibility of going to Verona…” /13
Given these observations, in the weeks/days leading to his suicide Castlereagh exhibited many of the warning signs that Mills identified later in the 19thC as common signs of acute mental exhaustion. In modern terms, Castlereagh was in a mental health tailspin. 14/14
Image: Richard Dighton, @britishmuseum (BM), 1852,1116.559
Between roughly 1818-1828, Richard Dighton did a series of profile portraits of men in Regency London's high society. Most were etchings, and the BM has digitized many prints held in its collection--they are worth your time if you're interested in Regency society, style, and art.
The earlier prints of this particular portrait, published individually by Dighton himself, are clearly dated to July 1821. Copies show up in the collections of the @britishmuseum, @NPGLondon, and @RCT.
(details shown here are from prints in the BM and RCT collections)
The late-Renaissance building with an inner courtyard surrounded by arcades was multi-functional: it housed the royal stables, guest apartments, the royal art collection, and an armoury. In fact, the ground floor is still used as the stables for the vaunted Lipizzaner Stallions.
Around 1711 the Stallburg also became the home of the Ziffernkanzlei--the 'Number Office.'
A name both suggestive and vague (and one of many used throughout the organization's existence), it was really the secret office for mail interception and decryption.
Castlereagh Creeping the House of Lords, or the Story of a Misidentified Portrait.
A 🧵
2 artists captured the proceedings against Queen Caroline in the #HouseofLords in 1820, and both include #ViscountCastlereagh. Let's start with James Stephanoff.
Stephanoff shows Castlereagh perched on a staircase, watching from a small window. The 1823 key for Stephanoff's work identifies this figure as "The Marquis of Londonderry [Castlereagh], who usually took his station on the stairs leading to the gallery during the investigation."
The other portrayal of the trial is, of course, George Hayter's monumental painting. Hayter, however, shows Castlereagh positioned in the box of the Gentleman Usher of the Black Rod, on the bottom right corner.
I was at a loss for how to mark the day after spending the last 2 years writing the research article on which all these tweets are based.
Maybe something more reflective is fitting.
I had always been interested in Castlereagh from a diplomatic and political standpoint...
2/
...and became increasingly interested in exploring the mental health aspect of his story because it was a challenging area that would combine history, politics, psychology, medicine, and other disciplines.
In the last few months of #Castlereagh200 threads we've covered a lot of ground, looking at many stressors that put Castlereagh's #MentalHealth at risk.
Now that we're only days from the bicentenary of his death, let's look at some conclusions.
First, the stress on Castlereagh was cumulative and pervasive. The downward spiral that he experienced in the weeks preceding his suicide was only the final chapter in a story that had been developing for yrs. The overlap between the professional and the social made it worse.
2/
Castlereagh was arguably a successful policymaker. But what did that require? He had to be a strategist, a tactician, a courtier, a whip, an orator, a master of protocol, an ambassador, a traveller, a negotiator, a socialite, and a political campaigner.
3/
As we turn the corner into the week of August 12, I want to focus this #Castlereagh200 🧵 on a final area of #MentalHealth risk connected to the workplace: job insecurity.
If you've been following these #Castlereagh200 threads, you may call that I'm drawing from a risk framework that forms the basis for my upcoming article on Castlereagh and mental health. See the attached table, adapted from Boini, 2020 and Gollac et al, 2011.
2/14
Job insecurity has long been recognized as a mental health risk. But was Castlereagh's job insecure? No.
Electorally he was in safe seats, only losing his home seat briefly in 1805. His position in Cabinet after 1812 was arguably more secure than Liverpool's.