#Sanskrit was not limited to India it was far spread upto Cambodia, Indonesia, Myanmar, Thailand, Vietnam 2000 years ago let's see the reach in this #Thread
*Map not political
Src #wikiwand #Archaeology
4/ Kebon Kopi or 'Tapak Gajah inscription', Indonesia dating 5th century ce describes elephant ride of King Purnawarman of Tarumanagara, which is equated with Airavata, the elephant vahana (vehicle) of Indra. #Archaeology wikiwand.com/en/Kebon_Kopi_…
5/ Tugu inscription in Pallava script in Sanskrit dates 5th century ce found in Batutumbuh hamlet, Tugu village, Koja, Indonesia
It describes hydraulic, irrigation and water drainage project of Chandrabhaga river by Rajadirajaguru
6/ Cidanghiang inscription, also called Lebak inscription, from Tarumanagara kingdom, estimated to be from the 4th century CE, Banten, Indonesia
It is abt a king Purnawarman, with title vikrānta, who was worshiper of Lord Vishnu. #Archaeology wikiwand.com/en/Cidanghiang…
7/ Prasasti Ciaruteun Inscription is 5th-century stone inscription discovered on the riverbed of Ciaruteun River, aWest Java, Indonesia.
The inscription states King Purnawarman is the ruler of Tarumanagara (An early H!ndu Kingdom) #Archaeology wikiwand.com/en/Ciaruteun_i… #Archaeology
8/ Sanskrit inscription in Early Pallava script on a stone lying on the Pasir kole-angkak hill, Jambu, to the west of Bogor, Indonesia
C.5th century ce
9/ "Suvarnbhumi" "सुवर्णभूमि" found inscribed in 'Sanskrit' on a 7th century slab in Cambodia #Archaeology
10/ Indonesian non-royal Sanskrit inscription dating 7th century describing how Sankara fulfilled his promise to his father to house a Linga 'representation of Shiva' #archaeology brill.com/view/journals/…
11/ Ligor inscription is an 8th-century stone stele or inscription discovered in Ligor, Nakhon Si Thammarat, Southern Thailand Malay Peninsula.
written by Mahārāja dyāḥ Pañcapaṇa kariyāna Paṇaṃkaran, king of Shailendra dynasty #archaeology wikiwand.com/en/Ligor_inscr…
13/ Singapore Stone inscription written in Sanskrit 10th-13th century originally stood at the mouth of Singapore river to be blown by Britishers in 1843 to widen the river pathway
Sawlumin inscription is one of the oldest surviving stone inscriptions in Myanmar. The slabs were mainly inscribed in Burmese, Pyu, Mon and Pali, and a few lines in #Sanskrit. the stele was founded in 1079 by King Saw Lu of Bagan.
17/ 5.1 Engraved copper sheet of Harsavarman with Sanskrit inscription K.964 found in the ancient moat of U Thong, #Thailand;
5.2. Stone inscription in Sanskrit K.1155 found at Ban Phan Dung, #Thailand
c.7-8th century
18/ #Sanskrit Inscription found in Brunei, a tiny nation on the island of Borneo, in 2 distinct sections surrounded by Malaysia and the South China Sea Brunei
19/ 300 CE stone inscription in Sanskrit read
"This is a few feet like the feet of Vishnu. They are the glorious footprints of Purnawarman, the great king of the land of Taruma, the valiant king of the world.”
Bogor, Java, Indonesia #archaeology kris-keris.eu/page/mystiek
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Beyond ancient docks, lies advanced metrological wisdom.
From Mauryan architecture to now known as Qutub Minar, and Tajo Mahal the 5000 years old legacy lives on.
Bookmark this thread.
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As per latest studies, Dholavira construction used metrological units continued even in Tajo Mahal.
The author of this paper used "Dhanus" as 1.9 meters to evaluate dimensions and found that #harappan were not only fond of ratios but applied to all settlement of that period with some MOE
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The city's length EW axis and width NS are in a ratio of 5:4
The Castle also reflects the city's ratio of 5:4.
The Bailey is square (ratio 1:1).
The middle town's length and breadth are in a ratio of 7:6
The ceremonial ground's proportions are 6:1
The Brihadeshwarar Devalaya was founded by the Tamil emperor Arulmozhivarman, popularly known as Rajaraja Chola I, in 1002 CE. It was the first major building project of the great Tamil Chola dynasty.
Inspired by Shaivism, the temple stands as a significant testament to this tradition.
The frescoes on the Devalaya walls were damaged due to exposure to smoke and camphor. The Tanjore Nayak replaced the damaged paintings with their own. Later, @ASIGoI repaired the paintings. However, a few of the original artworks have begun to reappear.
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This exquisite fresco, dating back over a millennium, vividly captures the grace of two female and one male dancer in a mesmerizing performance. Nestled within the revered Brihadeshwarar Devalaya in Tamil Nadu, this ancient artwork reflects the region's rich cultural heritage and the timeless allure of classical Indian dance traditions.
Brahma, Shiva, Vishnu, and other gods and goddesses blessing Guru Nanak Ji as a child
Paiting at Baba Atal Gurdwara, Amritsar.
Bābakalasī Gurū Nānak Jī Nali'ā Paḍata | ਬਾਬਕਲਸੀ ਗੁਰੂ ਨਾਨਕ ਜੀ ਨਲਿਆ ਪੰਡਤ (Translated using Google Translation. Please correct me if there are any errors).
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Another wall painting were Hindu God and GOdesses are praying before Gurudwara
"Sansarik" is imprinted on the cow. Can someone elaborate its significance.
Paiting at Baba Atal Gurdwara, Amritsar.
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A community feast probably celebrating the auspicious moment. Hindu Gods and Godesses are also witnessing the event.
In 1770, the British Invasion on Australia's native territories, along with the determined original Australian opposition, was thoroughly documented by both James Cook and Joseph Banks, the British botanist who journeyed with the Endeavour expedition. In his journals, which can be found on the State Library of NSW website, Banks described the efforts of Aboriginal fighters to block the expedition's landing at Botany Bay.
Cook similarly recorded the armed resistance to the British landing party, writing in his journal on April 30, 1770, that "all they seem'd to want was for us to be gone."
British colonial settlement, which officially began in 1788, was far more violent. Hundreds of massacres were carried out against Aboriginal communities that resisted European encroachment.
The Ṛgveda is believed to originate from the early 3rd millennium BCE., with some hymns possibly tracing back to the late 4th millennium BCE.
Its compilation likely ended around 1500 B.C., not in 1500 BCE as commonly believed, just as the Indus Valley civilization was fading and Mesopotamia was undergoing a time of uncertainty and turmoil (Levitt 2003: 356b).
Here in this thread, a commonality between Sumerian and Bhartiy text.
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The argument links an Indo-European view with the Vedic origin of the god Indra's name from the Sanskrit "indh-" meaning "to kindle." However, this doesn’t explain all of Indra's traits, which resemble those of the Sumerian god Enlil.
Both Indra and Enlil lead their pantheons, surpass higher moral gods, separate heaven from earth, and are storm gods in both literal and figurative senses. Indra's defeat of Aryan enemies parallels Enlil's conquests.
In Vedic and 3rd millennium B.C. Sumerian traditions, major natural forces were personified. Both have chief gods of air and storm—Indra for the Vedic and Enlil for the Sumerian—showing the significance of rain and storms in their cultures (Dandekar 1958: 13, Jacobsen 1949: 150). This connection is clear.
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Enki is often seen as cunning and crafty, much like rivers that skillfully navigate around obstacles. Víṣṇu’s three steps may parallel Enki’s journey through the civilized world and his establishment of world order and earth’s fertility, as depicted in "Enki and the World Order" (Kramer 1963: 171-174). The name Nārāyaṇá, explained by the Mānavadharmaśāstra 1.10 as 'moving in the waters' (with nāra meaning 'waters'), typically refers to Víṣṇu, although in this context it refers to Brahmā.
Víṣṇu is associated with Garuḍá, the sun-bird, while Enki is linked to Imdugud, an eagle-like thunderbird. It is important to note that the Ṛgveda provides limited information about Víṣṇu, as he is incidental to its primary purpose.