1.1/x On value creation & dynamic capital allocation, @thirdpoint’s Daniel Loeb sent an insightful letter to $DIS prodding management to double down on its Disney+ direct to consumer (DTC) streaming business
bit.ly/35LbUWe
2.2/x He argues $DIS should permanently stop dividends & reinvest cash into accelerated content creation & make Disney+ 1st landing site for all $DIS content instead of 2nd after box office, potentially forgoing $B’s in lost box office revenue (moot for now) Image
3.3/x Making Disney+ first drop for new franchise blockbuster content would fuel subscriber growth to scale into $NFLX league of 100MM’s of subscribers quickly, while bringing accelerated content velocity would keep them engaged, lowering churn Image
4.4/x We think this is exactly what $DIS needs to do in order to fulfill the strategy it has embarked upon to earn a relevant position among the global scale media businesses that $NFLX has been leading since innovating the model nearly a decade ago
5.5/x Former CEO @RobertIger made the initial bold decision to pivot $DIS media towards DTC (in the nick of time!) with large capital investments necessary and a deft and humble strategy that learned from the one $NFLX developed to great success

bit.ly/3muPm2N Image
6.6/x Disney+ launched to great initial success in its first year, garnering as many subscribers as plan called for in its 5th year target of 60-90MM. But its current content catalog, lined with high quality franchise IP, is limited risking an engagement gap
7.7/x Newly appointed CEO Bob Chapek has the responsibility to drive that initial momentum forward, with uneasy tradeoffs to make in a challenging time
8.8/x Effective value creation is the goal of all profit enterprise; management’s most important function is to coordinate the capabilities & resources of an enterprise to sustainably do so over long term, followed by dynamic capital allocation in its service
9.9/x The way a company pursues this is full of trade-off decisions management makes characterized by company’s life stage, mission, capabilities, resources, industry dynamics, customer expectations, value proposition, technological change, relevance, etc.
10.10/x A framework we have developed is the idea of visionary & optimizer spectrum of leader types, each personality type having its strengths & weaknesses in delivering for an organization’s mission & constituents in a given period bit.ly/31P6Dfa Image
11.11/x $NFLX led disruption by focusing on the global DTC streaming opportunity Internet created, leveraging break in growth limits changing industry scale dynamics, from physical (wired) regional to virtual (wireless) global, & economics.
bit.ly/37OKVvL
12.12/x Most media incumbents’ role will only diminish for lack of scale, cultural inflexibility, & subpar capital allocation, which emphasized capital return vs reinvestment, leaving them unprepared for impending slow-boil tech threat they unwittingly seeded. Image
13.13/x Optimizing managers, focused on jockeying for relative share, while squeezing customers’ surplus to return to shareholders (influenced by traditional activist financial engineering playbook to “unlock value”), who rewarded management for doing so
14.14/x Needed were more visionary leadership capable of recognizing/adapting to changing industry structure, by reinvesting in content scale + direct 2-way customer relationships, as their expectations shifted due to changing tech & behavior…shaped by $NFLX
15.15/x $DIS team came to understand changes just in time, pivoting hard and on its way to being the standout among traditional peers, making the leap towards DTC in a smart, committed way
16.Contrast that with Time Warner (pre-AT&T) with its earlier but half-hearted HBO NOW launch and CBS with a premium priced, low scale service that doomed it to be a niche offering bit.ly/3mufAm6 Image
17.17/x We were shareholders of $TWX before switching sides to $NFLX in 2016, after concluding $TWX was not fully committed to capitalizing on its assets & redirecting capital allocation as necessary after management began “rewarding” of shareholders again
18.18/x The plan Loeb lays out makes complete sense relative to our view of the strategy that Netflix has developed and pursued to great success: Image
19.19/x New CEO Chapek still plotting path beyond initial strategic plan in transformation between 2 monetization models - transactional, segmented vs inclusive subscription, as (unsuccessful experiment) PPV of new Mulan demonstrates bit.ly/31SYzdr Image
20.20/x There are hard choices to make that involve business & financial model and impacts to all stakeholders including customers, employees, (historic) partners, creditors, & shareholders in the middle of an unclear & disrupted pandemic impacted world
21.21/x With $DIS’ initial huge success in growing subs in its first year, the visionary leadership team could use that proof point & momentum to increase its commitment & investment to DTC – focus on shaping future consumer experience & business model Image
22.22/x Loeb calls for faster velocity in new content production to drive growth, engagement, & lower churn. We can see the difference in net content investment historically, as Netflix has organically pursued velocity and scale of content production Image
23.23/x Content investment underpins NFLX continued scaling of subscribers from 30MM to 200MM, expanding across genres & geos with increasing mix of local content produced locally, viewed globally - to be so successful at scale of quantity x quality is amazing Image
24.24/x Minimum level of scale & velocity required to keep subs engaged & not churning excessively to underwrite this scale of growth. The more value & more habituated/engaged subs get, more room created for increasing pricing & profitability beyond min scale Image
25.25/x Disney+ scale requires effective reinvestment of capital via forgone high margin revenue from 3rd party licensing (already committed) & theater licensing (Loeb’s ask on higher DTC commit), while raising costs for higher content production velocity
26.26/x It’s a tough pill to swallow given its near term hits from COVID, some of which include (forced) costs of reinvestment already, but $20B cash cushion helps as well as open capital markets Image
27.27/x $DIS was smart to offer large discounts up front for annual & 3-yr promotional subscriptions (as low as $3.88/month), because it dampens monthly churn in immediate horizon, but leaves open excess churn further out if engagement falls short
28.28/x Blockbuster franchise IP draws audience to sign up but there’s a limit to how many times adults will watch Marvel/Star Wars, while Cinderella & Sleeping Beauty’s cultural relevance (unlike their beauty) are fading Image
29.29/x Loeb correctly points out, higher velocity of content creates higher value via higher engagement rather than further discounting a low price. This is $NFLX playbook Image
30.30/x LT scaling of content costs requires increasing budget over time to be competitive at global scale, which is accelerated by high value engagement, growth, & conviction in future of revenue sustainability (issue of current cash costs vs content obligations) Image
31.31/x Indeed, when it comes to committing to dividends, management must know when to “hold’em and when to fold’em”, as history of great brands demonstrates… and this is a time to cut dividends & reinvest in success of future opportunity bit.ly/2JgUJEE
32.32/x Set against a backdrop of ~$15T of negative yield debt & ZIRP, capital is plentiful but productive uses are scarce. Shareholders don’t need capital returned, but smartly reinvested in productive opportunities bloom.bg/3oH2S5h Image
33.33/x This a unique moment for Chapek, Iger, & team at $DIS to do just that by extending $DIS reach & scale while leveraging ZIRP environment to aggressively finance future scale as $NFLX’s astute @reedhastings & bold team have done over past decade
34.34/x Clearly #NoRulesRules culture has an advantage in effecting change quickly, but $DIS unique culture could potentially do same for its business, but there may be more work to be done as power dynamics between constituents in industry shift bit.ly/3kBO85y Image
35.35/x We think there is a large, growing market for 3-5 media companies at global scale, with a world hungry for affordable new & quality content. At least half of the 1B wired and 5B wirelessly connected consumers comprise a very large TAM to be unlocked
36.36/36 $NFLX clearly the leader & furthest in unlocking that TAM with 200MM+ subscribers expected by YE 2020, growing 20-30MM annually, but consumer appetite for content leaves plenty of opportunity for $DIS, $AMZN, $GOOGL, $AAPL with right strategy & investment.

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More from @IntrinsicInv

31 Oct
The big inflection in video game end markets is first generation of people who grew up as gamers are now parents. So the whole family games and it is no longer seen as a “vice” for young kids.
If you were born in 1980 you were 5 when Super Mario came out. But 1990 was peak birth year for Millennial Generation. So we have a decade of rising number of gamer-parents ahead of us.
Read 10 tweets
14 Oct
There are two CEO archetypes: Visionaries and Optimizers. Both types can create substantial value for shareholders, but require different evaluation tools.

Here’s how we think about it: 1/15
A Visionary is best described as a rule breaker. They are ideally suited for situations in which there is no blueprint for success. They are creating opportunities where none existed. 2/
intrinsicinvesting.com/2018/09/18/see…
Precisely because their approach is unconventional, Visionary personalities and management styles tend to look weird or are off-putting to most observers. V-led companies often have a unique, insular, and quirky culture. 3/
intrinsicinvesting.com/2018/05/04/cor…
Read 15 tweets
6 Oct
1/ Why Value & Growth is no longer just about valuation.

The nature of business is not static. While core principals are often timeless, the underlying dynamics can change dramatically over time. Case in point, this is one of the most important charts in investing.
2/ Because GAAP accounting treats corporate investment in tangible assets differently than intangible assets, this shift changes what is deemed “earnings” and thus the meaning of many valuation measures.
3/ The market gets this and has assigned less and less relevance to accounting earnings over time.
Read 13 tweets
25 Sep
As a follow up to our thread on relevance, Netflix in the Media industry is a great example of dynamism within the context of moat relevance… 1/x

This is the classic Christensen cultural/financial issue incumbents have in adapting to disruption... 2/x
bloom.bg/36aKtHk
In contrast to Viacom+most incumbents, @Netflix’s culture enabled it to accept the pain of -75% decline in its stock price in 2011 to transition effectively from legacy DVD by mail… after winning rental battle with Blockbuster 3/x
Read 25 tweets
11 Sep
Investors often confuse relevance & recognizability. Just because a customer *recognizes* a brand/service, does not mean it is *relevant* to their lives. Relevance drives attention, attention drives demand, demand drives pricing power. 1/11
This is the path that most successful products/services take. It starts with a relevant product that quickly becomes recognizable. Without good stewardship, its relevance fades even though people still remember it. 2/11
Relevance fade can happen quickly (e.g. a fad) or slowly. Once we’ve determined a product/service/brand relevance is in secular decline, we either won’t invest or will exit an existing position. 3/11
Read 11 tweets
5 Sep
This is a really interesting profile that is well worth a read if you’re not deeply familiar with Hastings and Netflix’s corporate culture. We agree he’s a truly world class leader. Choice quotes in thread below...
“They were all asleep to it during the early ascendance of Netflix," Barry Diller said of his fellow Hollywood moguls. “Now they’ve woken up to it, and it has slipped away from them and is never to be regained. They lost hegemony over an entire industry.”
“The heart and soul of our content,” is how Mr. Hastings describes [head of content and newly named co-CEO] Mr. Sarandos, who grew up glued to the TV and dropped out of community college in Arizona to work in a video store.
Read 9 tweets

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