Fascinating day at Repton with Mark Horton and @CatJarman yesterday. I first came here to dig with Mark & Martin Biddle aged 17 in 1982- and was present at the discovery of the mass burial of the Viking Great Army, recently made famous by Cat's fabulous book River Kings
I rave reviewed Cat Jarman's River Kings in the FT in February- and can't recommemd it highly enough. Not only is it the best account of the archaeology of the Vikings, it also emphasizes the Vikings links to the East through a Gujerati carnelian bead that we found in the charnel
We also went to rock-cut cave oratory of St Hardulph near the newly-discovered Viking Great Army camp at Foremark which Mark Horton has just published- it feels like a fragment of early Christian Cappadocia moved to the banks of the Trent.
We also went to the hilltop church of Breedon on the Hill, which contains som fabulous 9thC Mercian sculpture, clearly influenced by Sasanian art- where else in Anglo-Saxon England can you find Sasanian gryphins and buraqs?
Anglo-Saxon gryphins and the Sasanian silk originals
Mercian eagles at Breedon and the possible Sasanian models.
So grateful to Shailen Bhandare for showing me my great gt uncle James Prinsep's notebooks & scrapbooks & his correspondence with Charles Masson which led him to use the new discovered bi-lingual Greek/Kharosthi inscriptions on Bactrian Greek coins to translate Brahmi & Kharosthi
James Prinseps notebooks contain all his thoughts as he worked away at the mint in Benares, drawing and copying the inscriptions on Indo Greek & Bactrian coins, trying to crack the two languages that obsessed him, Ashoka Brahmi and Kharosthi.
I was amused to see how Prinsep was especially obsessed with the coin of Demetrios I with his elephant headress that I posted last week
The Sons of Tipu handed over as hostages to Lord Cornwallis, 1791
Arthur Devis
Private Collection
A measure of how tastes and sensibilities change: British contemporaries somehow saw this as benign. To us, taking a five year old hostage feels profoundly cruel, even a war crime
"Cornwallis accepted Tipu's terms, but his terms were severe: Tipu must surrender half his kingdom, and pay an indemnity of 30 million rupees, release all his prisoners of war, and give his two eldest sons as hostages to guarantee full payment.
The borderlands next to the Marathas were to be handed over to the Peshwa; those next to Hyderabad to the Nizam; and the Company was to receive his territories in the Eastern Ghats as well as those in Coorg and spice-rich Malabar.
The Bakhshali Manuscript, now in the Bodleian Library, is by many centuries the oldest surviving Indic mathematical text and the oldest extant manuscript in the world to use zero and decimal place values.
This remarkable birch bark manuscript consists of 70 extremely fragile folios. It has been the subject of scholarly debates over its date, its purpose, the religious world inhabited by its writers & the question if whether it is unitary text or a collection of different treatises
Over the years, the dates proposed for the Bakhshali manuscripy vary from the third to the twelfth centuries CE, but it is currently thought to have been written around 700CE, a date recently confirmed by a new set of carbon C-14 dates.
The wanton part-destruction of the great Chamunda temple in Devi Kothi is so depressing. It is the Sistine Chapel of Pahari art, and the greatest surviving ensemble of Pahari paintings still in situ. India has such spectacular artistic heritage- and does so little to protect it.
The spectacular murals of Devi Kothi- left unprotected and now lost forever
I'm become very interested in yakshas, yakshis and nagas- classes of sacred beings which seem to be relatively peripheral to modern Indian religion and spirituality, but which dominated much of the art of early India, whether Hindu, Buddhist or Jain.
Monumental stone sculptures of Yakshas —freestanding and carved in the round- begin to appear from the third century BCE, as witnessed spectacular yaksha from Parkham near Mathura made “in the guild of Manibhadra by Gomitaka, a pupil of Kunika."
The Parkham Yakshi (left) is said by the ASI to be the oldest free-standing statue in Indian art, c275 BCE, but the Mathura Museum contains several others that are only slightly younger, 200-100 BCE