This is so tragic! I have twice made the trek to Devi Kothi to admire the Pahari frescoes and this is devastating news
@Yashaswini_Ch
Devi Kothi is home to some of the greatest Pahari frescoes in existence. How could this be allowed to happen? Image
There is arguably no finer collection of wall paintings in all Himachal ImageImage
The fresco cycles on the Goddess are beyond compare ImageImage
On my first visit to Devi Kothi in 2012 I wrote this piece about the temple in the FT:

"This remote village is home to one of the finest sets of 18th-century frescoes in north India, and certainly the greatest cycle of Pahari painting still in situ."

ft.com/content/5c6993…
"Here in the middle of these remote hills, on the walls of a small wooden shrine, are paintings that would do honour to the most sophisticated urban centre..."

ft.com/content/5c6993…
"Straddled on her tiger, the Goddess swoops down on an army of horned devils, cutting heads with a sweep of her divine blade. In one hand she holds a shield, in others tridents, bells & an assortment of spears &javelins. They are astonishingly strong& confident compositions." Image
I am just appalled by the recent destruction at Devi Kothi- probably the greatest surviving masterpiece of Pahadi art still in situ and the Sistine Chapel of Himachal Pradesh. Does anyone know how much of the temple was demolished before it was stopped? ImageImageImage
Devi Kothi was also remarkable for its gorgeous wood work ImageImageImageImage
Devi Kothi is one of the supreme artistic expression of Hindu spirituality, and one of the greatest Pahari frescoes cycles still surviving. Why was nothing done to safeguard it? ImageImageImage
Here is an excellent Sahapedia paper on the Devi Kothi temple: sahapedia.org/murals-devi-ko…
Update from Sarang Sharma in Chamba: "In my understanding, the RCC work which had started around the temple premise has made the foundation weak & vulnerable to damage. The region is prone to earthquakes and falls under the High Damage Risk Zone in terms of Seismic activity." 1/2
"There is noticeable damage on the walls & pillars of the temple and deep cracks have developed on the surface. Even a minute jolt would wreak the structure and it might not be able to stay intact. There is a dire need to conserve and restore the temple before it is too late" 2/2
Deeply depressing article on the destruction of Devi Kothi and its spectacular 18thC murals Image

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with William Dalrymple

William Dalrymple Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @DalrympleWill

22 May
The wanton part-destruction of the great Chamunda temple in Devi Kothi is so depressing. It is the Sistine Chapel of Pahari art, and the greatest surviving ensemble of Pahari paintings still in situ. India has such spectacular artistic heritage- and does so little to protect it. Image
The spectacular murals of Devi Kothi- left unprotected and now lost forever ImageImageImage
The Demon Army attempts to challenge the Goddess ImageImage
Read 6 tweets
12 Apr
I'm become very interested in yakshas, yakshis and nagas- classes of sacred beings which seem to be relatively peripheral to modern Indian religion and spirituality, but which dominated much of the art of early India, whether Hindu, Buddhist or Jain.
Monumental stone sculptures of Yakshas —freestanding and carved in the round- begin to appear from the third century BCE, as witnessed spectacular yaksha from Parkham near Mathura made “in the guild of Manibhadra by Gomitaka, a pupil of Kunika."
The Parkham Yakshi (left) is said by the ASI to be the oldest free-standing statue in Indian art, c275 BCE, but the Mathura Museum contains several others that are only slightly younger, 200-100 BCE
Read 17 tweets
4 Apr
Exquisitely poised and supple, Chola bronze deities are some of the greatest works of art ever created in India. They stand silent on their plinths yet with their hands they speak gently to their devotees through the noiseless lingua franca of the mudras of south Indian dance.
For their devotees, their hands are raised in blessing and reassurance, promising boons and protection, and above all, marriage, fertility and fecundity, in return for the veneration that is so clearly their divine right.
It is the Nataraja, Shiva as Lord of the Dance, that is arguably the greatest artistic creation of the Chola dynasty. It is the perfect symbol of the way their sculptors managed to imbue their creations with both a raw sensual power and a profound theological complexity.
Read 19 tweets
31 Mar
The Starving Buddha-
Lahore Museum, c400 CE
Arguably the greatest of all Gandharan sculptures
Gandharan Masterpieces from Peshawar & Lahore
(New edits on photos taken just before lockdown last year.)

How I love these spectacular black-schist figures, standing eternally meditating, preaching or fasting.
The physique is magnificent: muscles ripple beneath the diaphanous folds of the Buddha’s lunghi or toga...
Read 8 tweets
29 Mar
Memories of Halebid
(Newly edited shots from 2019) ImageImage
Hoysala Masterpieces from the Hoysaleswara Temple, Halebid
c1121 CE ImageImageImageImage
The Hoysalas specialised in superb lathe-turned pillars made of soft greenschist soapstone ImageImageImage
Read 7 tweets
25 Mar
After yesterday's posts on Bhaja & Bedsa, here is one on the greatest caves of them all- Ajanta ‘nothing less than the birth of Indian art’

"The paintings are possibly the finest surviving picture galleries from the ancient world."

theguardian.com/artanddesign/2…
And a longer Ajanta piece from the New York Review:

nybooks.com/articles/2014/…
"The murals of Ajanta are now recognised as some of the greatest art produced by humankind in any century, as well as the finest picture gallery to survive from any ancient civilisation. Even today, the colours glow with a brilliant intensity: topaz-dark,lizard green, lotus-blue"
Read 15 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Too expensive? Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal Become our Patreon

Thank you for your support!

Follow Us on Twitter!

:(