The wanton part-destruction of the great Chamunda temple in Devi Kothi is so depressing. It is the Sistine Chapel of Pahari art, and the greatest surviving ensemble of Pahari paintings still in situ. India has such spectacular artistic heritage- and does so little to protect it.
The spectacular murals of Devi Kothi- left unprotected and now lost forever
The Demon Army attempts to challenge the Goddess
... But no demon can defeat the Goddess
Devi Kothi also had a spectacular cycle of Krishna murals
I twice made the four-hour trek into the Pir Panjal from Chamba- it was one of most memorable journeys I have made. Why was this supreme masterpiece of Hindu painting not protected?

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More from @DalrympleWill

21 May
This is so tragic! I have twice made the trek to Devi Kothi to admire the Pahari frescoes and this is devastating news
@Yashaswini_Ch
Devi Kothi is home to some of the greatest Pahari frescoes in existence. How could this be allowed to happen? Image
There is arguably no finer collection of wall paintings in all Himachal ImageImage
Read 14 tweets
12 Apr
I'm become very interested in yakshas, yakshis and nagas- classes of sacred beings which seem to be relatively peripheral to modern Indian religion and spirituality, but which dominated much of the art of early India, whether Hindu, Buddhist or Jain.
Monumental stone sculptures of Yakshas —freestanding and carved in the round- begin to appear from the third century BCE, as witnessed spectacular yaksha from Parkham near Mathura made “in the guild of Manibhadra by Gomitaka, a pupil of Kunika."
The Parkham Yakshi (left) is said by the ASI to be the oldest free-standing statue in Indian art, c275 BCE, but the Mathura Museum contains several others that are only slightly younger, 200-100 BCE
Read 17 tweets
4 Apr
Exquisitely poised and supple, Chola bronze deities are some of the greatest works of art ever created in India. They stand silent on their plinths yet with their hands they speak gently to their devotees through the noiseless lingua franca of the mudras of south Indian dance.
For their devotees, their hands are raised in blessing and reassurance, promising boons and protection, and above all, marriage, fertility and fecundity, in return for the veneration that is so clearly their divine right.
It is the Nataraja, Shiva as Lord of the Dance, that is arguably the greatest artistic creation of the Chola dynasty. It is the perfect symbol of the way their sculptors managed to imbue their creations with both a raw sensual power and a profound theological complexity.
Read 19 tweets
31 Mar
The Starving Buddha-
Lahore Museum, c400 CE
Arguably the greatest of all Gandharan sculptures
Gandharan Masterpieces from Peshawar & Lahore
(New edits on photos taken just before lockdown last year.)

How I love these spectacular black-schist figures, standing eternally meditating, preaching or fasting.
The physique is magnificent: muscles ripple beneath the diaphanous folds of the Buddha’s lunghi or toga...
Read 8 tweets
29 Mar
Memories of Halebid
(Newly edited shots from 2019) ImageImage
Hoysala Masterpieces from the Hoysaleswara Temple, Halebid
c1121 CE ImageImageImageImage
The Hoysalas specialised in superb lathe-turned pillars made of soft greenschist soapstone ImageImageImage
Read 7 tweets
25 Mar
After yesterday's posts on Bhaja & Bedsa, here is one on the greatest caves of them all- Ajanta ‘nothing less than the birth of Indian art’

"The paintings are possibly the finest surviving picture galleries from the ancient world."

theguardian.com/artanddesign/2…
And a longer Ajanta piece from the New York Review:

nybooks.com/articles/2014/…
"The murals of Ajanta are now recognised as some of the greatest art produced by humankind in any century, as well as the finest picture gallery to survive from any ancient civilisation. Even today, the colours glow with a brilliant intensity: topaz-dark,lizard green, lotus-blue"
Read 15 tweets

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