"I am a cowboy in the boat of Ra…
"Who was that
dog-faced man? they asked, the day I rode
from town"…
Go get my eyelids of red paint.
Hand me my shadow
I'm going into town after Set"
If there's one of two things I lament about Christianity, it's the decline of the Egyptian pantheon. If only the Roman Empire could have gone the way of the ankh. Or if only the Egyptian gods had returned out of the desert instead of Islam
What's not to love about those funky animal-headed gods and those slinky goddesses? Especially the goddesses - lithe and svelte in their form-fitting dresses, with their golden skin and painted eyes, they would not look out of place as supermodels on a modern catwalk
Of course, Egypt was quite frankly the s*xiest ancient civilization - admittedly perhaps not for its population's vast majority of peasants who farmed the Nile or worked on those useless tombstones known as pyramids, but certainly for its elite, who pretty much invented style
Or what's not to love how the gods kept shifting and swapping out with each other as they rose and fell within the pantheon?
My personal favorite trinity of Egyptian mythology (well apart from Anubis, one of my favorite dog gods of mythology) - Osiris, Isis and Horus as they square off against their adversary Set
O yes - Isis. Goddess of magic who seduced the secret name from the sun god Ra and lover of Osiris who resurrected him after he was dismembered by his evil adversary Set to conceive the divine hero Horus (who then avenges Osiris)
Or what's not to love about its different and contradictory creation myths? Particularly the one where the god Atum (who swapped out as supreme god from time to time) created the world by, ahem, mast*rbating it into existence. Now that's creationism!
Indeed, Egyptian mythology could get downright kinky. Isis essentially s*xes up all her magic, including that briefly reviving Osiris to conceive Horus. Or how Set and Horus essentially strive to, ahem, out-ej*culate each other…
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A collaboration of French writer, philosopher and theologian Jean Chevalier, with French poet and explorer Alain Gheerbant
Their literary background shines forth in the lyrical quality or poetic resonance of the entries - although at times the entries can be somewhat overwhelming in the density of their style
As for the book itself, well, it's a dictionary…of symbols. Obviously. Although that understates just how comprehensive the entries are, both in quantity and quality. There's an entry for virtually everything that can be seen as a symbol - animals, plants, objects and concepts
The war that started with an apple and ended with a horse
The Trojan War looms largest in literature, with its foundational source, the Iliad, as the rosy-fingered dawn of Western literature
Of course, the Iliad only represents a few days in the tenth (and last) year of the decade-long siege of Troy and is only part of the so-called Trojan Cycle that represents the whole of the war, but comes to us only through other fragments of classical literature or mythology
Or How I Found Goddess and What I Did to Her When I Found Her
Particularly when the Goddess in question is the playful goddess of chaos in classical mythology, Eris or Discordia,
(9) DAISETZ SUZUKI - ZEN & JAPANESE CULTURE (1959)
Zen's influence on Japanese traditional arts - art, haiku, tea ceremonies, the Japanese love of nature and above all swordsmanship. I've always found swords to have a metaphorical resonance to life and how one lives it.