A rant: Those who are not interested in Indian classical music, and the wrong narratives that are being created may ignore the thread 1/n
This is specifically meant for those who fall in the performing arena and talk about "creating safe spaces for students".
Plenty of novices & those who are superficially/casually interested in music are listening to your clubhouse sessions because you have made a name. 2/n
So it makes sense to give a fair picture of the field. Painting a picture of abusive teachers is not going to help most of those. It may also turn away some people who are learning the art with interest. Don't call me insensitive. I have read those metoo tweets, & sympathize 3/n
About what they went through, and nobody should have to undergo such a situation.
These things may happen with some big names- generally there is a lot of hearsay about such folks. Common people may not be aware of, but such "predator" types are well known. Due diligence 4/n
Before whom you pick as the teacher whom you consider as a "gateway" to the performing arena.Don't tell me you got completely unaware.When there is smoke , there's often a fire. Doing the right checks & quitting at the very first instance of smelling something wrong is on you.5/n
There are bad apples everywhere in the society and some happen to be music teachers. But I guarantee , for every bad apple, there are a hundred good ones.
I am writing on behalf of all those thousands of music teachers who are passionately teaching music for years and decades 6/n
Who had the best intentions for their students & have passed on their knowledge to generations of students, with absolutely no blemish & no noise. Many are not even actively performing on stage. They are teaching music for the love of it and for the joy it brings to them d. 7/n
So before blaming all the music teachers & calling for "safe spaces in learning" as though music is the only area such things happen,stop for a minute and think. As always , when a 1:1 situation occurs, check for the obvious bad signals, they aren't hard to spot. And QUIT 8/n
Writing this as I happen to be the son of such a passionate music teacher.
End of rant.
If this thread resonated with you, do share. And help stop the vilification of Indian classical music and its teachers/ teaching system. 🙏
9/9
@KannadathiVidya@LeviAckerman119@Djain87823794 There are many inscriptions where a king boasts destroying another king's capital - as far as I know, instances of destroying temples don't find a mention. Even when the inscriptions say "having burnt the town of xxx " , it is likely to be a literary figurative speak imo. 1/n
@KannadathiVidya@LeviAckerman119@Djain87823794 I can cite some inscriptions of Chalukyas and Pallavas but will have to look up, to prove the above point. On the other hand , there are indications where the king who won the enemy's capital, actually made grants to the temples there, for further upkeep and improvements 2/n
@KannadathiVidya@LeviAckerman119@Djain87823794 A famous example is the Chalukya inscriptions at the Rajasimhheshwara temple in Kanchi, after they won over the Pallavas. And why this temple was chosen, out of the many, many temples Kanchipuram had? Perhaps because it carried the name of the king Rajasimha - is my guess 3/n
Why academicians don't do basic check & cross their ts and dot the is?😱. Here's a video of a professor from IIM, who hypothesizes river Ghaggar shouldn't be identified with Saraswati, based on a faulty translation & suspects Vedic hymn is changed! 1/3
One should look at the sources in original & not in translations. RigVeda text is available for all to check! Second, a word in a verse, confirming to a meter can't be randomly changed to something else without breaking the meter & Veda was never subject to change :-) 2/3
I wish people know this before making random allegations in the name of research😳.
Veda are called Sruti;They were not written down for millennia, because preserving them though sound was considered the best way to keep them intact, than to allow them to error prone writing. 3/3
@csmspeak@vschanna Thanks for prompting me to take a look!Here #PundarikaVItthala (a contemporary of Tansen) specifically lists Parasika ragas. He says Rahai, born of dEvagAndhAra, Nishabara in KanaDa , Mahur in sAranga, Suha in Kedara etc-clearly indicating KAnada not of pArasIka origin/influence
Here both shines were Shiva temples. There could be multiple reasons - Nagareswara for being the personal temple where the Kings worshipped was targeted first, and before they finished the job the Hoysala troups were able to guard Hoysaleshara? Your guess is as good as mine.
But the point is so called sahitis from Karnataka have normalized these to based on some random paper by one prof in Columbia. This is due to the white-skin-infliction. Where is thinking power when we need it?
Sorry to say the same trend in the latest historical novel as well.
@karatalaamalaka I think the language families in India can be explained by multiple migrations in prehistoric times; By historic times ( i.e. earliest archeological remains are at Mehrgarh, IIRC - which are 9000 years ago) - the two families had already settled in with some intermingling
@karatalaamalaka The due-east-Krittikas description put parts of the Veda at least around ~3000 BCE. the 1500- 600 BCE span as imaginged by Max Mueller must go back by at least 1500 years imo.
We have Vedanga Jyotisha corresponding to the sky situation ~1400 BCE (give or take a century)
@karatalaamalaka And VJ was NOT written outside of Saptasindhu - Very likely at the upper reaches of it like in Kashmira or in around Kubha river (Kabul) by the latitude indication. Definitely not much north or south of that location.