A few years back I saw a zoomer review of “taxi driver” where the zoomer was shocked that Travis, who had a job, pretty big apartment (in nyc no less), and gf was considered a loser in the late 70s. A peak loser, even. The average young man in current year is much worse off. 1/
“Taxi driver” is what I call a “catcher in the rye” film. It continues the theme of “catcher” but fits it into its current year. Holden Caufield of “catcher” is even better off than Travis; being a rich kid in a boarding school. But with thr same issues (set to his era). 2/
“American psycho” is the next “catcher” film after taxi driver. Patrick Bateman is better off financially than Travis, reflecting the improved economy of Usa in the late 80s and early 90s. But his psychosis is worse. Shows how material wealth can carry the germ of mk insanity. 3/
“Fight club” is the next “catcher” film w the catcher having wealth similar 2 Patrick Bateman but he’s beginning 2see the emptiness of material wealth. He “slums jt” with his fight club the same as Holden Caufield literally slums it by leaving preppy boarding school 2go to nyc 4/
Next up is “observe & report” with a delusions of grandeur mall cop. Similarly to “fight club” he feels he can escape phoniness through masculinity. Unlike fight club his idea of masculinity is about consumption. He doesn’t get in shape he buys guns & talks big. 5/
“O&R” “catcher” (like millennials) lost tyler durden realization material things themselves r part of their spiritual imprisonment. “O&R” guy is fully spiritually colonized; fantasizing about rising to the ranks of real law enforcement (the foot soldiers of the evil system) 6/
We all know what the most recent “catcher” film was. 7/
Arthur is a true loser. Bottom rung. He has aspects of all the previous “catchers”:
-sees material things as pointless
-everyone is phony
-tfw no gf (except in his mind)
-wh0re mom
-abused as a kid
-poor af
-gun f3tishism
-fully mk by tv 8/
By killing Travis Bickle, Arthur is ascending 2peak “catcher” &venting zoomer rage at how far young men have fallen. Being on average even worse off than 1970s peak loser. Riot at end of film is symbolic of the system and media mk having turned an entire gen into “catchers” 9/9
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Conservatives can’t say that homers shouldn’t be around k1ds so instead they dump on natural traditional fatherhood and hope Buttgag takes some of the rhetorical splash damage
The major films in the Alien series mirror the evolution (devolution?) of film, film culture and its audiences. 1/
“Alien” by Ridley Scott at its core is “2001 A Space Odyssey” with great practical gore effects but very few themes/tone Kubrick hadn’t already explored in his sci-fi opus. 2/
“Serious” sci-fi films in the 70s were expected to crib “”2001”: long shots, sterile white ship interiors, slow pace, emotionally distant actors, evil AI, evil gov/corp behind the scenes. Etc.
Ridley Scott’s brilliant film has them all. Like Kubrick’s. 3/
Your w*man can not give you permission to take a mistress. If you are weak and use her consent as an excuse to be a degenerate you will father a race of evil men.
This makes me lose respect for Gary as it sounds like Simpson’s comic book guy whining over the color of spirdermans costume in some film or something. Very weak.
Vin Diesel, the rock, and Jason statham are keeping f&f franchise rolling despite meh writing and a brand that changed its meaning wildly in the last decade. Movie stars still matter but corporations don’t want them to.
Hollywood tries to prop up unlikeable trash actors then wonder why Tom Cruise can make mission impossible sequel #55 a hit every damned year.
Sadly I hadn’t seen “Vertigo” before my Twin Peaks analysis below. It clearly has a major impact on twin peaks with the concept of doubling and twins. @HordeOrc even pointed out to me that S3 and vertigo have many similar shots.
A rarely analyzed aspect of twin peaks is how Donna doubles. James is very freaked out by it & during the original series there’s no clear answer 4it. Until the film when it’s revealed Donna went with Laura for one night to the roadhouse and had a psych break in prequel to series
In a way Donna is trying to become Laura in the same way Judy tries to become Madeline to please Scottie at the end of “Vertigo” and perhaps slips into becoming the cursed Carlotta Valdez. All thanks to MK trauma.