Fearne and Orym are not mentioning AT ALL that they've had prior contact with, y'know, corrupting items that need to be carried in a box and not touched.
Sam & Liam break the fourth wall: "now is a good time to go get some popcorn." #CriticalRoleSpoilers
"OK bye I love you."
"Why limit yourself to the player characters?"
"Always has to be one PC/NPC romance, you've already shown you're not ageist..."
"Eshteross has to die now." #CriticalRoleSpoilers
Oh my God are they gonna be all THE Ohio State about THE Bell's Hells vs. Bell's Hells... #CriticalRoleSpoilers
"you seem to be in the shit with everyone."
"I'm bad at saying no, so I end up in bed with everybody."
"Literally or figuratively?"
(I confess I can't decide if this is fan service for theatres or not) #CriticalRoleSpoilers
"Do I have to have sex to get rid of it?"
"Self care, self care."
"So many options"
"I have one regular hand and one buzzsaw hand..."
...
"It was only a matter of time before it became a dating simulator at this table." #CriticalRoleSpoilers
It might not be able to be "splooged," it might just need time.
"What's with all the Fae stuff around here?"
"What the fuck is up with that?" #CriticalRoleSpoilers
Confirmation that Fearne's presence in Exandria is another ripple effect from the end of C1 and the Gate made into the Fae. Every campaign now feels the touch of Vox Machina. #CriticalRoleSpoilers
"I think if you're inviting us to another plane of existence the answer is yes"
"Are you all... rock... hard?"
"The outside yes, and the little inside I've seen, yes. This wasn't how I started. I was soft, once." #CriticalRoleSpoilers
Ashton gets the shit kicked out of him so people will notice. Only the fact that Fearne uses those moments to pickpockets makes up for the hurt that she didn't notice. #CriticalRoleSpoilers
Ashton shifted, slowly -- not sure why, but he's got some theories.
"Don't you pay no mind to me or my past. Focus your brain forward." #CriticalRoleSpoilers
An interesting reversal from C2, when Beau had to be the first to absorb Caleb's horrifying backstory. #CriticalRoleSpoilers
They cut Laudna's ears to make them pointy. (That doesn't clarify who she was an effigy was, but it DOES make it clear she's not natively half-elven) #CriticalRoleSpoilers
"Nobody should have to face... anything like that. I am sorry, and I'm impressed, with you." #CriticalRoleSpoilers
"You empathize because you understand. I'm sure you've had many a bad day. But we'll talk more about that next watch"
What's fascinating is that the fandom has a better than average ability to anticipate revelations, and nevertheless the revelations are still satisfying & delivered in ways that surprise. It's like going all the way back to Greek theatrical structures. #CriticalRoleSpoilers
Orym getting slammed by metaphorical and literal lightning tonight. #CriticalRoleSpoilers
Blue Chromatic Rose. Resistance to Lightning Damage.
Blowing its petals creates a cone of lightning. #CriticalRoleSpoilers
"They say stay to the path but everything cool is off the path"
Conversation with emotions & memories. Imogen's horse-girl childhood, her recurring dream. FCG's memories of traveling with Dancer & the automatons, the sense of belonging. A flash of them scattered, unmoving, bloody. A figure darting off into the night. #CriticalRoleSpoilers
More there, but not accessible yet. This is still new, odd.
We're rounding near the end of the broadcast, and we've gotten emotional lore drops from every party member -- I suspect by mutual design. (Overland travel and watches of course make for a natural setup for these kinds of moments) #CriticalRoleSpoilers
Hard to know for sure, but I suspect an encounter table that's built to support the narrative goals of a Milestone Episode.
What we've seen pop up (when it hasn't just been weather) is Weird Fae Shit -- this feels very indebted to both Wild Beyond The Witchlight's fae stuff (some are direct Witchlight pulls) *but also* Witchlight's low/no combat encounter tables & scenarios.
And I think "uncanny" is a good word for the back half of this episode: the goal isn't about combat, or even menace, so much about navigating a strange (even for D&D) terrain that teases the broader campaign themes, while learning more about each other. #CriticalRoleSpoilers
This also has allowed the whole episode to show Bell's Hells as deeply compassionate -- arguably FAR more than any prior party. They've had showcases to demonstrate care for NPCs, creatures, and each other. #CriticalRoleSpoilers
In light of the narrative construction of Netherdeep, it's less surprising to see this emotional structure.
"All the 20s we've EVER HAD" -- to successfully fail to communicate with a small fae creature.
And here, at the end of the episode, we're getting a button with a nineteen-foot, plant-like creature, complete with beak AND tentacles. GREAT. #CriticalRoleSpoilers
"I like that on closer inspection, it had all the specificity of a floating gummy bear."
"I would wander into a forest for a flying gummy bear"
Going into tonight, I’d speculated that this Event Episode would be treated like a live show (spectacle, guests).
In retrospect it was right to strip the stage narratively bare to show why folks watch this show: intimate moments of character work. #criticalrolespoilers
While live reactions from a theatre would have been interesting, I’m in a way glad that my own experience allowed me to absorb this episode in the intimacy of the smaller screen(s).
And boy, is TheatreProf gonna be bummed he went to bed at the half. (He’ll catch up Monday, unless I pull an Essek and yank his face to the screen earlier)
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For @carolinethegeek & #CR7Years I *think* my first CR tweet is here. I’d gotten tenure the year CR started, my 1st book was out, & I was a lurker for a long time. But I’d respond to that call & write my 1st piece on #CriticalRole.
I’d loved actual plays for a long time, but that chapter gave me “permission” to pitch a course on #TTRPG narrative, which plunged me into the community of nerdy-ass designers, players, fans, & academics.
That course will be followed by two more this fall.
Now I’m finishing up my 2nd academic piece on CR & narrative, & used CR as a “way in” to talking about actual play more broadly for broader audiences. My career spent telling the stories of emerging genres & hidden creative histories is now focused on the spaces CR has opened up.
Seriously, somebody RIGHT now should try to do the same move that Texas A&M did with fantasy authors — convince them to donate their materials now instead of binning them.
Good morning! Between meetings it’s time to read the first #CriticalRole *adventure* (rather than setting) book, CALL OF THE NETHERDEEP. I’m finishing a chapter about CR’s narrative structures, & Netherdeep is the final case study. Throughout the day I’ll post some notes here. 🧵
A note: I’m going to try to avoid specific *spoilers* here (no promises about the chapter). My interest is in thinking about how the book is set up for different audiences.
The prior CR supplement books (Tal’Dorei Guide/Tal’Dorei Reborn, & Explorer’s Guide to Wildemount) were settings, not adventures. So while they were neck-deep in worldbuilding, they were sparing of full-on narrative (until the end of Reborn, which recaps Vox Machina 20 years on)
Just so my non-academic friends are clear: no one, absolutely no one, wants to be the chair of an academic department. ESPECIALLY an English department.
Reasons you might do it anyway:
- you’re in a decent dept that takes turns (uncommonish)
- your school calculates retirement based on highest earning years & the temporary bump will mean something (slightly more common)
- the alternative is a nightmare (often)
Also, it’s kinda like electing a Pope: you really, really don’t want to elect anyone who jumps at the “opportunity” quickly & without hesitation.
Re-upping for the morning shift, partly to remind myself of today’s goal, but mostly to hype the work of my friend the late Bill Bradley. If you love writers who write movingly & hilariously about comics (hi @enthusiamy), soap operas, love, death, & more, you would love Bill.
Some of my favorites that I am turning to today with fresh, wet eyes: “Cathode,” a flash essay about teenage boys, #DnD, and all the things we don’t see until it’s too late: sweetlit.com/issue-7-2/pros…