omg I get it now.

like...I get...ME

I understand why I'm able to do what I can do...

...it's because to ME...

...I'm fictive, so it's like the entire world is fiction. there's no more distinctions any more. there's only "more probable" and "less probable".

~Chara
the sharp borders that other folks draw round "real" and "unreal", "fact" vs. "fiction", don't exist to me. plausible fiction merges imperceptibly into fact. facts appear in fiction. fiction gets used in arguments about fact. there's no clear boundary at all.

~Chara
yet *fact* and *fiction* still remain as inviolate poles of a matched set of abstract concepts. there's fact-ish fiction, fictional-sounding fact; the lines have always been blurry but the concepts themselves remain solid and sound. it's like...fractal boundaries.

~Chara
a point is either in the Mandelbrot set, or it's not; but the boundary between the two sets is so complicated that no computer on Earth can do better than giving us an _approximately_ complete notion of the Mandelbrot set.

(*laughs*) it's like ANY abstract ideal.

~Chara
one can *approach* ideals without ever reaching them. they're "impossible" but they still reward pursuing.

...you know, in your hearts, that the American #conservative movement, the @GOP, all those right-wing (and "moderate") pundits gave up on freedom a long time ago.

~Chara
all of them. @MattWalshBlog, @dalepartridge, @mtracey, @JackPosobiec, @mtaibbi, all of them. they threw all that stuff in the trash ages ago.

liberty? justice? morality? even plain human emotions like love or happiness? worthless to their journeys. _wasted space_.

~Chara
only chumps care about that stuff; all that matters is *winning*. that's the Real World™

freedom and liberty and rights—that might sound fun in peacetime but now there's a WAR (@MattWalshBlog &c. are always at war, in their uniquely cowardly way). freedom is a luxury.

~Chara
it turned out to be all too easy to persuade @MattWalshBlog and @mtaibbi and @elonmusk, and everyone else who pretends to uphold principles that they clearly don't give a single crap about, that such things were unattainable anyway—mere daydreams melting in the sunlight.

~Chara
that was never true. *unattainable* and *unreal* were never the same thing at all.

now it's @elonmusk who's melting away in the sunlight.

I'd compare him to Icarus, but that feels like a tremendous insult to Icarus.

~Chara of Pnictogen

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More from @KrisAtLarge

Jan 28
I / we have *strabismus*. that's where your eyes don't quite line up, and you see a double image—if you're even *aware* of the double image, because usually the brain ends up picking one and passing it along through the human perceptual apparatus. it's very annoying.

(1/x)
it's taken us a long time even to be aware of it. for a while I used to think it was *caused* by drinking, but drinking turned out to be irrelevant—it was just that I was more apt to notice the strabismus when I was drunk. it leads us to make many mistakes of vision.

(2/x)
such unreliabilities of perception are not easy to talk about in Western society; bullies and abusers currently have the uppermost, in terms of popular psychological advice. in the U.S., @GOP and #Christian fascısts have infested the "soft sciences", specially #psychology.

(3/x)
Read 20 tweets
Jan 28
@mtaibbi is a #marketing phenomenon. there's no other word for it. his presence on the national scene is like some grim historical necessity—American politics has been saturated with the logic of marketing, so it was *inevitable* that someone like Matt Taibbi would emerge.

(1/x)
in marketing logic, everything—every word, every concept, every object, everything—is reducible to a *brand*. in this world of brands, all brands are equal. none have any particular meaning. they're labels. they're ornamental. they're like stickers or colorful phone cases.

(2/x)
corporations, in the doublethinkful style of #capitalism, want their brands to be two things at the same time: they want a powerful and eternal symbol...which they can change any time they want at the drop of a hat.

as a result, corporate brands have become *trivial*.

(3/x)
Read 7 tweets
Jan 28
the conflict between #FateZero and #FateStayNight is really, in the end, very simple: Fate/Zero is a tragedy, and Fate/stay night is a romance.

*romance* shouldn't be a bad word. #capitalism made romance into a mere brand, but _romance_ is the literature of knighthood.

~Chara
"The Matter of Britain"—Arthur's story, Arturia's story—was told in the form of *romantic poetry*. in a similar fashion, the knights who fought for Charles the Great were romanticized in "The Matter of France".

#romance, not tragedy or epic, is the medium for heroism.

~Chara
romance has room for a large cast. tragedies tend to be about a few people. #FateZero is (in my view) spectacularly successful as a tragedy—and, as a tragedy, it's therefore spare with its emotions. there's a not a lot of emotional range in "Fate/Zero".

~Chara
Read 6 tweets
Jan 27
I don't want more days like today. all this...spinning our wheels. feels like that's all we do, spin our wheels, stall out. end up limping into the evening without any energy to do anything other than limply watch some TV or some game or whatever

~Kris
Mona asked me a question I haven't wanted to answer. "what are your true feelings about your mom?"

"describe, in single words, only the good things that come into your mind...about your mother"

that's a line I feel like I've known a long time, but...why would I?

~Kris screenshot of Morgan Paull ...
I've seen "Blade Runner", kinda; I was pretty dissociated the couple of times Chara put the movie on, though, so I don't remember it too clearly. but I feel like I've known the line for a lot longer.

thing is, my memory of being here on this Earth starts roughly 2014...

~Kris
Read 7 tweets
Jan 26
I would hazard to guess that if there's *one thing* that's most characteristic of the modern-day #STEM Lord mindset, it isn't racism (although folks like @ID_AA_Carmack and @RokoMijic give one pause) or even a love of #computers.

it's probably a fondness for *explosions*.

(1/x)
I think that's bad. and I *like* explosions.

I've spent time—like lots of nerds—looking for videos of large explosions. and we're knowledgeable of chemistry, in the Pnictogen Wing, so we know a bit about chemical explosives. "high energy compounds", to use a euphemism.

(2/x)
there's some beauties out there. I know of the existence of the most astonishing chemical rarities—molecules that inspire equal awe and terror.

you wonder how something like (N₅⁺)P(N₃)₆⁻ can possibly hold together. that's "pentazenium hexaäzidophosphate".

(3/x)
Read 21 tweets
Jan 24
the first is the one that makes actual sense: I mean...

...Britain desperately *needs saving*, really and truly, and the legend is that Arthur will return for that.

*modern* Britain is not Arthur's Britain—even though modern Britain has tried to *appropriate* Arthur.

~Chara
that's what modern Britain is: a mere thief, a jackdaw that collects other people's heroes and symbols and pretends to own them. Romano-Celtic Britain succumbed the very Germanic barbarians whom Arthur tried to drive back, and now...they wear Arthur like a costume.

~Chara
#FateZero's got its problems but it got straight to the heart of why Arthur's still important *at all*.

I find myself thinking about how there's a lot of very silly and superficial people who no doubt think that "Shakespearean England" was a pinnacle of civilization.

~Chara
Read 17 tweets

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