Shared from Ahmed Naji #Karbala in #IraqiArt Shaker Hassan Al Said (Iraqi, 1925-2004), 𝘡𝘦𝘪𝘯 𝘈𝘭 𝘈𝘣𝘦𝘥𝘪𝘯, circa 1955, oil on board, 75cm × 44cm. Image courtesy of @christiesdubai 1/
From Ahmed Naji: Al Said explored a number of elements in the material culture of the tragedy of Karbala visible in posters, Muharram Procession paraphernalia and performances 2/
1- Victims, 1957, oil on canvas, 80cm x 100cm, courtesy of Hussain Ali Harba Family collection 3/
2- Corpse with Two Doves, 1953, oil on panel, 50cm x 76cm, courtesy of Sotheby's (private collection) 4/
3- Sketch of Riderless Horse Shot with Arrows, circa 1953, ink on paper, courtesy of the artist 5/
4- Study of The Death of Al-Shimr, 1954, ink on paper, 21cm x 29cm, private collection 6/
The tragedy of Karbala represents humankind's struggle between good versus evil. This painting by Kadhim Hayder in 1957 titled مصرع الانسان Death with Struggle of Man, 1957, oil on canvas, 80cm x 120cm, courtesy of the National Museum of Modern Art, Baghdad, Iraq 7/
In a recent article on the canonisation of the #Nahj_al_Balāgha, Aun Hasan Ali cites the words of the eminent authority of contemporary #Shii_Islam Sayyid ʿAlī Sīstānī that advises believers to read this famous collection from the 11th century - a thread on the Nahj 1/
While there is little doubt that the Nahj is popular in contemporary Shii households and lives - and increasingly also among Zaydī and Ismaili Shiʿa as well - how did it attain its status as the pre-eminent text after the Qurʾan since it is not normally considered canonical? 3/
Any consideration of a #decolonial approach to #philosophy must engage with #Africana philosophy - but what is often occluded in that is the #Islamic element 1/
@HistPhilosophy with @ChikeJeffers has done an excellent job in introducing many to #Africana philosophy and let’s hope they continue to flourish 2/
A number of works have recently appeared that are relevant to our understanding of the Muslim element in that often focused on #WestAfrica 3/
The influence of Immanuel Kant on modern philosophy cannot be underestimated - a thread on #Kant in #Iran
Often in academic departments of philosophy (#analytic but also beyond) #Kant is the key figure if the modern period 2/
He represents a systematic approach to philosophy, to metaphysics, ethics, and much beyond covering theoretical and practical philosophy displacing #Aristotle 3/
Much of his career was in #MuslimChristian understanding partly influenced by his own biography - born into a #Shii family in Qana in Southern Lebanon in 1935 and converting to Protestantism 2/
With the recent passing of Āgha-ye Ḥasanzādeh Āmulī, mention was made of his teacher Mīrzā Abūʾl-Ḥasan Shaʿrānī (1903-1973) whom most Iranians know through his translation of the Qurʾan - a 🧵
In terms of his scholarly family background, his father was a descendant of Fatḥollāh Kāshānī, author of the 16th century #QurʾanExegesis Manhaj al-ṣādiqayn, and his maternal grandfather was Navvāb-e Tehrānī, author of the literary Shiʿi martyrology Fayż al-dumūʿ 1/
Shaʿrānī trained in the seminary, first at the Madrasa-ye Khān Marvī with important philosophers such as Mīrzā Mahdi Āshtiyānī (1888-1953), one of the first to teach university students as well, and Mīrzā Maḥmūd Qummī (d. 1925), a specialist on the school of #IbnʿArabī 2/
The seminarian philosopher and polymath Āqā-ye Ḥasan Ḥasanzāde Āmolī (b. 1307Sh/1928) passed away yesterday 25 September 2021 - a 🧵 on his life and works #ShiiPhilosophy#mysticism#ʿerfān#ḥekmat
As his name suggests, he was born in Āmol and began his seminary studies there and only moved to Tehran as a young man in 1950 to continue his studies 2/
In Tehran, he studied philosophy and mysticism with a major teacher at the Madrasa-ye Marvī, Shaykh Muḥammad Taqī Āmolī (1887-1971) best known for his work on #Avicennism and his glosses on Sharḥ al-manẓūme of Hādī Sabzavārī (d. 1873) 3/