You need to travel more than you ever imagined, don't you? Let's try to solve it!
Come with me to visit one of the most spectacular Iron Age hillforts of Atlantic Europe: San Cibrán de Las (San Amaro, #Galicia). It's going to suprise you!
Its name was Lansbrica (celt. 'The fort of the Middle/Plain'). What makes unique this 10-hectares oppidum is that was all built in a single time: late 2nd century BC. It's a masterpiece of Iron Age urbanism, showing a complex world of beliefs. #HillfortsWednesday
When Lansbrica was founded, all the surrounding hillforts collapsed. Each family received a similar amount of terrain to built their courtyard houses. Circular houses were kitchens or warehouses. Rectangular were workshops or bedrooms. #HillfortsWednesday
Latest theories suggest the Lansbrica people were Bracari coming from the southerns limits of Gallaecia, from where they moved maybe to run away from the growing Roman pressure. They crossed the legendary river Miño and set here, close to gold mines. #HillfortsWednesday
Houses were decorated with beautiful triskelions, some carved, and others still preserve red paintings. In latests excavations a head of a sleeper or dead man appeared. #HillfortsWednesday
To supply water to a 2500 inhabitants, fountains were used. They are still functional!
One was discovered on September 3, 1939. A boy ran to warn the archeologists of the beginning of IIWW. They were so astonished in the dig that they said: "Shut up, kid!". #HillfortsWednesday
Gates and ramparts are so impressive in Lansbrica. A complex system of towers and barbicans, guards rooms and stairs to move quickly all around the walls. #HillfortsWednesday
But what makes impressive Lansbrica is the urban planning: the scenic sense of the ramparts and the radial urbanism. Paved streets coming from gates to upper walled enclosure, the 'croa', which is intriguing and a very special place. #HillfortsWednesday
The thresholds of the houses were beautifully decorated with carved or painted triskelions. In the latest excavation a sleeper or dead man head was founded. #HillfortsWednesday
Two fountains supplied water to 2500 inhabitants. They are still in use!
One of them was discovered the September 3, 1939. A boy ran to warn the archaeologists of the beginning of IIWW. They were so amazed with the fountain that said: "Shut up, kid!". #HillfortsWednesday
Gates and ramparts are so impressive in Lansbrica. A complex system of towers and barbicans, guards rooms and stairs to move quickly all around the walls. #HillfortsWednesday
But what makes impressive Lansbrica is the urban planning: the scenic sense of the ramparts and the radial urbanism. Paved streets coming from gates to upper walled enclosure, the 'croa', which is intriguing and a very special place. #HillfortsWednesday
As you can see, the upper gate (right) is abnormally oriented. Why? Here's the sunset in the summer solstice, falling just in the middle of the gate? Impressive, hu? #HillfortsWednesday
The upper enclouse, the 'croa', was almost empty. But goddess names and images were found. The Gallaecians Nabia Abione, the Roman Iovi and an unknown Sadv Uladv. And maybe the protector of the town: Bandua Lansbricae. #HillfortsWednesday
This sacred upper enclosures can be found in southern Gallaecia (Monte Mozinho and Santa Lucía) and we do not know much about them, but sacred sense seems clear. Closer parallels are Gaulish oppida like Titelberg #HillfortsWednesday
Today we are going to talk about ancient relics in the hillforts: antennae daggers that appear, whole, many centuries after they were made, in Late Iron Age hillforts. What stories have we lost about them?
Our first treasure appeared in the foundations of a house in the hillfort of Os Castros (Taramundi, Asturias, near the border with Galicia). The house had been built in the Late Iron Age. The hillfort was inhabited from the Late Bronze Age.
Look at it: gorgeous. Because it preserved the organic material of the sheath, radiocarbon dating was possible. Between the 14th and 10th centuries BC. These daggers have Central European influences on the handles and Mediterranean influences on the blades.
Foi polo 1996 cando me atopei coas vivas raiceiras dun dos grandes mitos do país. Estabamos perdidos no Valadouro. Un vello en bicicleta parou. Sinalou para ese monte e dixo:
A min chaman toda Mira
Señora do gran tesouro,
Por estrela esclarecida,
xago neste Valedouro.
👇
Referíase ao castelo da Frouseira, a inexpugnable fortaleza na que o Mariscal Pardo de Cela resistiu entre 1481 e 1483 o durísimo asedio das tropas do capitán francés Mudarra, enviado polos Reis Católicos para someter á nobreza galega.
O símbolo do ocaso dun mundo.
O Mariscal é unha das figuras controvertidas da historia do país. Desde o século XIX, símbolo para uns da resistencia galega fronte a Castela, para outros un foraxido feudal que tiña ben merecida a súa decapitación en Mondoñedo en 1483.
Vouvos contar unha historia desas que 'sabemos pero non reparamos nela'. Compostela é unha especie de máscara xeolóxica, un trampantoxo. Todo ese granito que vedes na foto foi traído de quilómetros de distancia durante séculos e agacha o que a propia cidade é. 👇
Só hai un lugar no que asoma de maneira natural, case como o deixaran de testemuña, a anfibolita, a 'pedra de Santiago' que sostén precariamente todo o conxunto. Faino deste xeito marabilloso en Val de Deus, en San Martiño Pinario, case como pedindo permiso.
O que me fascina é que a construción simbólica de Santiago non só remata na escultura, senón tamén nos materiais. A humildísima 'pedra de Santiago', a que foi sacada da propia cidade, indícanos que é o secundario, o que non é importante, fronte o que si o é.
Hai un par de anos batín cunha alucinante obra de teatro do século XVII, moi pouco coñecida, #ALindonadeGalicia.
Fiquei preso do que alí se contaba, e de como se contaba. 👇
Nela narrábase o turbulento século XI galego: o conflito fratricida polo dominio de Galicia. Os intentos de García por facerse coa coroa do reino.
Si, García. O rei mitificado pola literatura galega contemporánea. Manolo Rivas, Darío Xoán Cabana, Bernárdez Vilar, Cándido Pazó...
O máis fermoso, o de @Rivasbarrs. O Don García de En salvaxe compaña: o corvo branco que leva unha grilla nas patas, que viu como o seu exército de poetas e trobadores se mudaban nunha hoste de 300 corvos.
When I was a child, I was sure that all the adventures of Asterix had to take place in summer. The feasts at the hillfort were always outdoors! It couldn't be in winter because it must always be raining!
The Greek geographer Strabo described how the people of NW Iberia feast:
"They take their meals sitting down, building stone benches around the wall. The food is served in a circle. During the drink they dance on a wheel ...or by jumping and genuflecting".
Archaeology showed how accurate Strabo was. In several hillforts, just in the core of the town, special buildings were found. Big, with a stone bench around the wall and no evidence of daily life nor hearths.
O fermoso equinocio do sábado na capela de San Miguel de Celanova, coa luz atravesando o templo de Rosendo, é un magnífico exemplo para explicarmos esa idea de paisaxe cultural que falabamos o outro día ao fío das eólicas.
Podemos ver esta marabilla de puñeteiro miragre. 👇
O arquitecto de San Miguel orientou a capela en 2,8º graos de diverxencia con respecto ao leste para recoller o sol cando xorde polo monte de San Cibrao, o obstáculo natural do horizonte. Alí arriba, en San Cibrao, hai unha necrópole megalítica e unha capela tamén medieval.
A óptica da cámara permite recoller ás veces ese incrible efecto dunha estrela hexapétala. O efecto recrea a representación do sol.
Este monumento NON pode ser comprendido sen a paisaxe. Non só foi concibido dentro dela. É que, dalgún xeito, 'execútase', actívase con ela.