(1/8) One of the twelve Olympians and the herald of the gods, Hermes also played the role of protector of human heralds, travellers, thieves and merchants.
(2/8) In Greek mythology, Hermes was the son of Zeus and Maia. In reality, he appears to have emerged in Mycenaean Greece in the Late Bronze Age. His name first appears in Linear B syllabic script as "hermΔhΔs", and he may have been adopted from Mesopotamia.
(3/8) Beyond his role as messenger, Hermes was also able to freely move between the realms of mortals and the divine. As such, he also played the role of psychopomp, or "soul guide", directing the souls of the dead into Hades.
(4/8) In his iconography, Hermes was sometimes depicted as an athletic young man without a beard. He was also often seen as nude, save for a petasos, or voyager's cloak and the caduceus, a herald's wand entwined by two serpents. A winged helmet and sandals were also common.
(5/8) Hermes was widely worshipped across the Greek world due to his association with death, athleticism and oratory. The province of Arcadia was a focus for his worship, however, with the only 3 known temples specifically dedicated to Hermes located there.
(6/8) Hermes, like much of the Greek pantheon, was also imported to the #Roman world in the guise of Mercury. Like Hermes, he fulfilled many of the same divine roles, and had temples across the Empire. In Rome, his temple was situated by the Circus Maximus.
(7/8) Worship of Hermes was supressed by #Christians from the late 4th century onwards, but he surprisingly survived in Christian theology. Figures like Augustine believed that Hermes Trismegistus, an epithet for Hermes, was in fact a pagan prophet who predicted Christianity.
(8/8) By the #Renaissance, theologians argued Hermes Trismegistus was in fact part of a line of #Jewish prophets, coming after Enoch and before Noah. Regardless of his revisionary role in history, Hermes remains a popular symbol for couriers and athletes alike!
(2/6) Produced using a lost wax process, the sculpture depicts a naked and athletic figure reclining on his spear in a pose traditionally associated with heroism. Inspired by the 4th century BCE "Heracles" of the artist Lysippos, it was likely produced in the city of Rome.
(3/6) The identity of the figure has been a point of academic debate. Alternatively known as the Seleucid Prince, the sculpture was originally believed to depict either Seleucus I, the founder of the Seleucid Empire, or Attalus II, the King of Pergamon.
(2/5) Originally, an Archaic-period temple sat on the site. Made of tufa, it was destroyed c. 480 BCE during the #Persian invasion of Greece. Despite being destroyed, the Athenians placed a captured Persian trireme on its ruins following the allied Greek victory in 479 BCE.
(3/5) Today, the surviving temple was constructed between 444 - 440 BCE, and serves as one of the major monuments of the Athenian golden age. Later described by Strabo as a "noteworthy settlement", it remained a significant cult centre into the #Roman imperial period.