I was super excited to get this article published with @LAReviewofBooks written with @SarahEBond to launch our new #PastsImperfect initiative. The feedback has been great, and it hasn't all been positive
we've received a couple of questions/points that I'd like to mention because they point to some of the challenges of (1) taking academic discussions public and (2) dealing with dearly held topics
1. A few people complained the essay was superficial. They're not wrong! You can't cover nearly 3 generations of scholarship and hundreds of books in a short column
1a public scholarship like this offers an entry into a debate, outlines important themes, and makes an argument.
1b. Scholarly arguments should be invitations to discussions not final points. Final points are for tombstones.
1c. Our argument simplifies things.
Yes, see 1a. above.
2. Our article is more about the impact of Campbell's work and not his actual work. Well, this is true! Campbell is a metonym for what happens with his work.
But I am not keen on separting the two because I don't think authors are that important.
2a. Authors and their context are indelibly connected. Saying that Campbell didn't mean what other people did with his work is fine, but it ignores how much he profited from and championed what other people did with his work
3. Several people were like "you say X" but Campbell does in vol. 3 of his work. That's fine. But that's like saying that if I only dived deeper into their catalogue I would find out Maroon 5 aren't talentless schmucks.
Yes, the whole oeuvre matters, reception and use do too
4. Others were like, this is allegory, Campbell knew that because of Jung and Freud, etc.
Archetypal thinking IS the problem. Jungian approaches to myth are reductive, patriarchal, misognyistic, heteronormative, etc. etc.
4a. A longer version of the article talked about this: post-structuralist approaches to narrative show how limiting and damaging the entire archetypal approach is. It reduces difference and erases narratives
5. Various versions of my is universal, can't you see it.
There's an essentialism to the assertion that certain myths are universal that ignores the process of selection that mythographers and snakeoil salesmen like Campbell and Peterson have perpetrated
5a. If culture A is raised on stories XYZ and then members of Culture A look at Cultures 123 for examples of things they recognize they will find XYZ even if it isn't there. it is a type of confirmation bias
6. Several quailed at the equation of Campbell/Jungian dude-central selfishness with capitalism. I can't live another day watching mask protests and knowing about how social discourse works while listening to said nonsense
7. Some of our examples are wrong because the authors (e.g. Robert Jordan) were following the heroic pattern.
part of the damaging discourse about the monomyth is that it has been so successful as a narrative that it chokes out other possible tales and lives
To be clear, I have no problem with emails enumerating our wrongness, or tweets disagreeing. I say thanks for the former and sometimes even RT the latter.
I just wanted to say that @SarahEBond wrote the piece with wide eyes, taking some shortcuts to get to the main point
And I might wake up and change my mind tomorrow. Although, given the screaming fools protesting COVID safety precautions nationwide, it is unlikely.
And check out @postclassics thread by @theoctopiehole on Lizzo's and Cardi B's Rumor video. There's a lot more insight there than the comments on our article
1. The monomyth presents simplified descriptive narrative pattern as a prescriptive tool, overlooking that most myths that have monomythic patterns can be analyzed in different ways for many different functions. Campbell reduces myth to what is useful for Campbell
2. The monomyth oversimplifies a 'hero', ignoring different distinctions: ancient heroes were not about virtue and sacrifice. They were about a. cosmic eras (an age of man, or generation of hemitheoi; b. a heros is a person in their full strength, full "bloom" riffing on "hera"
take a minute and imagine a tree in a park or garden. Make it a really nice tree that has been well situated in its environment. Think about the trees’ imperfect symmetry, they way it occupies its space
Now think about this: someone planted the tree; others tended to it and trimmed it; more people spent generations selecting this domesticated tree from its ancestral stock. It is a inextricable product of nature and nurture. #HomerTrees
Then there’s the aesthetics of the tree. Your appreciation is based on other trees you might not remember as well as an entire ‘grammar’ of human beings and the environment
.@kataplexis and @lpoldybloom train our gaze to a small liberal arts school where they teach, to move the discourse from elite institutions and PhD programs
This is a different call from early weeks' claims that classics is qualitatively different outside the US and that recent years' problems are primarily (*anglo)-American
When you were young you bought your dream house. It was an old, sprawling victorian. It needed work, but you loved the neighborhood and really thought you could restore it
Every summer, every break, on weeknights and weekends: you sanded, painted, watched videos about tiling, tried to find original molding for the trim. You made your life into fixing that house
You replaced the roof, updated the windows, tried to keep the original wood siding. The house was an endless pit of resources but you always loved it. You raised your children there. The house became part of who you were