#chess fans might remember Claude Bloodgood, a chess master and *convicted murderer*. he murdered his mother in 1969 (so far as I know this is not disputed, although I can't find any details about the crime) and got a capital sentence in 1970, later reduced to a life term.
#chess mavens may know Bloodgood because he was an advocate of Grob's Attack, a questionable but tricky flank opening: 1. g4, which inflicts an open wound on the first player's Kingside in exchange for some tactical complications. it's not...good.
(2/x)
it's for "club play", as they say—i.e. it's the sort of trick you pull against a weak player in a low-stakes game, hoping that they'll fall for some trappy sideline.
but I'll tell you why I best remember Claude Bloodgood: he showed that #chess rating systems were a joke.
it's possible to "game the system" by isolating a group of players and having them all play each other and nobody else. and what better isolation exists but *prison*?
(4/x)
while in prison Bloodgood organized #chess contests and managed to get his prison-mates membership in the United States Chess Federation (@USChess), in which Bloodgood was himself a member.
he was able to inflate his own rating at the expense of other prisoners' ratings.
(5/x)
for a while Claude Bloodgood was the second highest rated player in the UCSF below Gata Kamsky, who was credible world champion material for a while. eventually @USChess punished Bloodgood, arbitrarily knocking his rating down (i.e. they broke their own rules for ratings.)
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and supposedly they took measures against that sort of ratings-gaming using an isolated pool of players. I rather wonder what they were...
...especially considering that all professional #chess maintains an artificially isolated pool of players, i.e. all the *men*.
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#chess is segregated by binary gender (or "biological sex", I suppose a right-wing bıgot would say) for no clear reasons aside from a general presumption—the sort of presumption it's taboo to discuss too openly—that women are intrinsically weak chess players.
(8/x)
as with #sports, the world of #chess is divided into two unequal halves. the big half is men's chess, which gets all the press coverage and most of the money—it's "real chess", just like men's sports are "real sports" while women's sports are a smaller affair, a specialty.
(9/x)
the elite men of #chess all get to play each other, and only occasionally does a woman get admitted into an elite tournament. the isolation of men into a protected and privileged subcategory of chess players is not unlike Claude Bloodgood's prison chess-club.
(10/x)
it isn't just that the men are kept separate from the women; it's also the fact that elite players, "supergrandmasters" as they've been called—folks like GM @MagnusCarlsen and GM @FabianoCaruana—mostly play each other, with only occasional competition against nobodies.
(11/x)
these elite players get the invitations to big tournaments, all the prize money, all the publicity; everyone else is shut out. and they all get to score #Elo points off each other...
"The Immortal Game". it's one of the most famous #chess games ever played, and today...nobody in professional chess plays like this, or *can* play like this.
Adolf Anderssen launches a direct sacrificial attack on his opponent's King, and wins.
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this was from the so-called "Romantic" era of modern #chess, when grandmasters were still working out the higher-level rules of chess—the "heuristics" that govern what we think of as chess strategy. the concept of "the center", for example, is just such a heuristic.
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"the center" is a slightly vague term even now, in #chess. the sort of fool who thinks that everything has rigid definitions might draw a sharp line around the squares d4, e4, d5, e5 and define that as "the center", but center play *may* involve nearby squares as well.
there's a crucial moment in #FateZero when Kotomine Risei, a priest of the Holy Church (which is fairly clearly the "Fate/" universe's analogue of the Catholic Church), stands in his church among the presence of Hassan of the Hundred Personas (unfortunately, minus one).
(1/x)
and then he says something that his son, Kotomine Kirei, really doesn't like—at least, judging from the way Kirei's face falls when his dad says (in translation):
"These old eyes of mine will finally see a miracle incarnate."
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Kirei was a man with serious emotional issues—unrecognized, because he was (effectively) a Catholic priest's son. all he'd known was a rigid Catholic life. he'd even been an official church mage-killer.
he's *shocked* to learn that his father is involved in a magical war.
"magical thinking" is a term that's difficult to talk about in Western culture, because (as with most if not all abstract concepts in Western thought) "magic" has no honest or certain meaning in mainstream Western discourse. but I will make some attempt to explain.
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let me start with an example: the television. television—the sending of video images over long distances to a dedicated "set" for viewing them—is long-established technology. TV video may be communicated through a variety of media—radiofrequency broadcasts were the first.
(2/x)
the television itself isn't "magic" (...I don't think), but established and well-understood technology that achieves some sort of *approximation* of a thing that might, in a myth or a fantasy story, be achieved through magical means: viewing things from a long distance.
one of the most distressing things that's happened in the last couple years in American #media and #journalism—something that I've watched happen in real time—was the way that everyone forgot that irrational hatred of vaccines, indeed of medicine, was an *ongoing thing*.
(1/x)
#Christianity is largely to blame, because Christians are taught to regard disease as a symptom of *sinfulness*.
just about any deviation from normality is regarded as a symptom of *sinfulness*, to a #Christian bıgot like @MattWalshBlog or @dalepartridge. there's lots.
(2/x)
being too short to @dalepartridge's exacting standards, or being fat, or having an awkward posture, or having the wrong shape nose, or having a twitch in one eye, or speaking with an accent, or having a stammer...all of these things, and more, are signs of abnormality.
I've written a lot of *incendiary* stuff in the direction of @Tesla but I do genuinely feel sorry for all the programmers and engineers (and mail-room people and janitors and everyone else) who must surely be taking ALL the heat for failing to produce miracles on demand.
that's #technology under #capitalism: elitist dorks like @elonmusk or @pmarca or @fchollet make gigantic promises about things they don't grasp. if they understood things better, they'd have to scale down their promises to match the limitations of physical reality.
~Chara
and then a lot of underlings at @Tesla (or @Twitter or @SpaceX or @boringcompany or @neuralink or wherever) have to scurry around and try to make the miracles happen. they're *terrified* of failure because @elonmusk's a wreck of a person, with no impulse control.
I don't know if it's possible easily to demonstrate that #capitalism requires trauma (although I am sure that it does) but it is certain, at least, that #marketing requires trauma.
"psychological #advertising" works on buried trauma.
American right-wing chat, dominated by "manly" persons of the @MattWalshBlog / @benshapiro / @JackPosobiec sort, pretends that only cops and soldiers suffer trauma—as if (say) child abuse victims, or marginalized persons enduring routine bıgotry, aren't also traumatized.
(2/x)
in reality, trauma is everywhere. Western society is harsh and cruel— "competitive", Mr. @dick_nixon and other defenders of #capitalism might say. life is hard, suck it up, etc.
we've had decades and *centuries* of indoctrination in the purported virtues of _austerity_.