Leonor Suárez Profile picture
Oct 26, 2019 10 tweets 10 min read Read on X
We’re in #MADRID about to board a plane to São Paulo. In #Brazil we’ll put an end to a full #mojo project that started in #London one year ago. This is the story behind the story... Image
#London, November 2018. Worlwide Female Journalists and Writers Association Congress. Invited by @thomfound I addressed a #mojo workshop Image
Among the delegates, there’s a small group of Spanish journalists. Three of them from #Asturias. They are excited about the potential of #technology and more over #mobile journalism. Image
One month after, one of them, Isolina Cueli, paid a visit. She said she was interested in promoting #mojo and #innovation in #journalism. She proposed a good non-told story, offered support to tell it. RTPA agreed. We started working Image
Now we are about to board the first of the three flights that will take us to Mato Grosso in #Brazil, before heading for #Peru. A short but intense trip... Image
We are following the trail of an missionary, Mino Cerezo Barredo, an #artist that painted huge murals across #Latinoamerica spreading the message of the #Theology of Liberation. At the age of 87, he is still busy working. Full story will be broadcasted by @RTPAOficial. Image
Black bag contains ‘regular’ #mojokit. The other, the ‘in case’ gear and some extra gadgets to test. They are my hand luggage and are traveling safe and unnoticed so far. Good for #MOJO Image
Our first destination in #MatoGrosso is São Felix do #Araguaia, exactly in the geographical center of #Brazil. From #Cuiabá, the state capital, is not easy to get there. This is how we did it. #mojo
Time to recharge the devices. Managing all the stuff is almost the most demanding part when shooting a #mojo docu abroad #filmmaking Image
Life seems peaceful in Mato Grosso, #Brazil. But when you enter the churches in places such São Félix or Santa Terezinha, you come across, painted on the wall, a violent story of fight for land that is not yet over. Soon in @RTPAOficial we’ll discover who painted it and why #mojo

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More from @Leonorsuarezro

Mar 29
En este primer aniversario de los #incendios de #Asturias hay que recordar lo que dicen las estadísticas desde que se recogen: la oleada no fue ni fortuita ni tan excepcional
Asturias lleva al menos medio siglo entre los campeones del #fuego intencionado de la península ibérica🧵 Image
Ni siquiera la oleada de 2023 -con 32.000 has quemadas- hizo de este el peor año.

Aunque ardió el 3% de #Asturias en apenas 10 días…

Aunque aportó el 36% de lo #calcinado en la península ese año…

En 1985 habían quemado 42.000 hectáreas. Y en 1978, 30.000.

Gráficos: TPA
Image
Image
Quién quemaba, cómo y cuándo lo hacía, lo explicaba ya entonces -1981- el responsable de incendios de Icona. Así lo recogimos en ‘La espiral del #fuego’ de @asturiassemanal. Nos sorprendió encontrar una explicación tan clara -y en blanco y negro- de lo que seguimos escuchando.
Read 15 tweets
Apr 1, 2023
¿Por qué queman #Asturias?
En 2016, tras la oleada de incendios de 2015, Antonio Colina, profesor de la #Universidad de #Oviedo @uniovi_info y coordinador de la Estrategia de prevención y lucha contra los #incendios de Asturias, dijo a @asturiassemanal algo que me quedó grabado:
“El número de los #incendios es indicativo de la #conflictividad. Hay que recordar que en #Asturias apenas tenemos fuegos por causas naturales”. No era una opinión. Los datos de las Brigadas de Investigación de Incendios de #Asturias, creadas en 2002, lo dejaban claro: 👇🏻
A grandes rasgos, de cada 100 incendios:

▶️ 82 son intencionados
▶️12 son por negligencias
▶️3, por rayos y causas naturales (…)

▶️Y 1 incendio al año, solo uno, es obra de pirómanos
Read 35 tweets
Jun 22, 2022
Wich apps can help you produce a documentary on mobile?

Following long used apps + recommendations from @MarcSettle at @MoJoFest + selfsearching, I edit 10 short episodes of #ProyectoSuárez, a documentary series (watch 👇🏻)

youtube.com/playlist?list=…

This is how i did it /1
#mojo
I used at least 17 apps

Most part of the job was made with just two:

@FiLMiCPro for filming on iPhone 7 + iPhone 12pro

#LumaFusion by @LumaTouch to edit 95% of the +30 minutes story Image
I used the other 15 apps for specific purposes

☑️ Effects, transitions
☑️ Intros, outros, posters, graphics

The list 👇🏻

Picsart
Snapseed
Hype Text
Canva
8mm
IntroMate
MegaPhoto
Coloursplash
Typewriter
Fontasy
Myheritage
Touch Retouch
Capcut
VoiceRecord
Colorize
Photomyne Image
Read 21 tweets
May 13, 2022
I’ve been at @mediaprodshow @mojofest

A handful of ideas pointed:

▶️ By 2030 everyone will wear AR glasses, a real computer

AR is a powerful tool to tell immersive stories

@weareseen_ by @YusufOmarSA and @snap_sumaiya empower people to use it to tell their stories
▶️ A serious story can make a viral video.

TikTok can be a propper platform for important stories.

Don’t address TikTok audience the way journalists tell news in tv

@sophiasgaler @VICEWorldNews
▶️ Working as a one man band, be aware:

🟢 You don’t need to master every role but…
🟢 You need to be ready to wear different hats
🟢Be mindful of your strengths and weakness
🟢keep curious (and keep learning)

@AndyMBurgess @mediaprodshow @mojofestival
Read 15 tweets
Sep 12, 2021
0/Fui a las 🏝#Islas #Galápagos🐢 para una semana

me quede 1️⃣5️⃣ días

Y ahí seguiría, si pudiera 🤿

▶️Esto es lo que vi/viví/escuché y aprendí

Relato ilustrado (con el 📲#mojo) de un #viaje que te mete en una

burbuja de🦎#naturaleza #conservación #sostenibilidad #animales🦈
1/La burbuja crece mientras asciende

estalla al contacto con su objetivo

Desde el fondo del #mar, quien la ha lanzado desafía al bañista

Sube, gira sobre si mismo y vuelve a la carga

Sonríe para la foto. Amaga con tragarse la camara

Después, se va. Ágil y veloz. Como llegó
2/Es la rutina bajo el agua

Te sumerges y aparecen

Te meten en su burbuja. Te sacan de la realidad

Se está bien ahí. El mundo no pesa Image
Read 69 tweets
Oct 4, 2020
During #lockdown I used @lumatouch to edit on my #iPad 15 to 25 minutes stories each week for @asturiassemanal, a @RTPAOficial #TV show

This was the workflow we designed overnight to work from home.

A workflow we partly keep in case we need it again in the second #covid19 wave
At work, I used to edit on a PC with @Adobe Premier: an average of a 35’ to 40’ minutes story each 3-4 weeks.

We changed to focus on #covid19

At home I had an iPad Pro 9’7’’ 256 Gg with @lumatouch

I use it 6 weeks until I updated to an iPad Pro 12,9’’ 1 Th to gain capacity
The raw material changed also.

Apart from .MXF files filmed by my colleague with a #Sony FS7M2, we received files shot by our audience (as seen on the pic) with our guidance or by ourselves with the phone (.mp4 and .mov), GOPRO or whatever.
Read 9 tweets

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