We’re in #MADRID about to board a plane to São Paulo. In #Brazil we’ll put an end to a full #mojo project that started in #London one year ago. This is the story behind the story...
#London, November 2018. Worlwide Female Journalists and Writers Association Congress. Invited by @thomfound I addressed a #mojo workshop
Among the delegates, there’s a small group of Spanish journalists. Three of them from #Asturias. They are excited about the potential of #technology and more over #mobile journalism.
One month after, one of them, Isolina Cueli, paid a visit. She said she was interested in promoting #mojo and #innovation in #journalism. She proposed a good non-told story, offered support to tell it. RTPA agreed. We started working
Now we are about to board the first of the three flights that will take us to Mato Grosso in #Brazil, before heading for #Peru. A short but intense trip...
We are following the trail of an missionary, Mino Cerezo Barredo, an #artist that painted huge murals across #Latinoamerica spreading the message of the #Theology of Liberation. At the age of 87, he is still busy working. Full story will be broadcasted by @RTPAOficial.
Black bag contains ‘regular’ #mojokit. The other, the ‘in case’ gear and some extra gadgets to test. They are my hand luggage and are traveling safe and unnoticed so far. Good for #MOJO
Our first destination in #MatoGrosso is São Felix do #Araguaia, exactly in the geographical center of #Brazil. From #Cuiabá, the state capital, is not easy to get there. This is how we did it. #mojo
Time to recharge the devices. Managing all the stuff is almost the most demanding part when shooting a #mojo docu abroad #filmmaking
Life seems peaceful in Mato Grosso, #Brazil. But when you enter the churches in places such São Félix or Santa Terezinha, you come across, painted on the wall, a violent story of fight for land that is not yet over. Soon in @RTPAOficial we’ll discover who painted it and why #mojo
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En este primer aniversario de los #incendios de #Asturias hay que recordar lo que dicen las estadísticas desde que se recogen: la oleada no fue ni fortuita ni tan excepcional
Asturias lleva al menos medio siglo entre los campeones del #fuego intencionado de la península ibérica🧵
Ni siquiera la oleada de 2023 -con 32.000 has quemadas- hizo de este el peor año.
Aunque ardió el 3% de #Asturias en apenas 10 días…
Aunque aportó el 36% de lo #calcinado en la península ese año…
En 1985 habían quemado 42.000 hectáreas. Y en 1978, 30.000.
Gráficos: TPA
Quién quemaba, cómo y cuándo lo hacía, lo explicaba ya entonces -1981- el responsable de incendios de Icona. Así lo recogimos en ‘La espiral del #fuego’ de @asturiassemanal. Nos sorprendió encontrar una explicación tan clara -y en blanco y negro- de lo que seguimos escuchando.
¿Por qué queman #Asturias?
En 2016, tras la oleada de incendios de 2015, Antonio Colina, profesor de la #Universidad de #Oviedo@uniovi_info y coordinador de la Estrategia de prevención y lucha contra los #incendios de Asturias, dijo a @asturiassemanal algo que me quedó grabado:
“El número de los #incendios es indicativo de la #conflictividad. Hay que recordar que en #Asturias apenas tenemos fuegos por causas naturales”. No era una opinión. Los datos de las Brigadas de Investigación de Incendios de #Asturias, creadas en 2002, lo dejaban claro: 👇🏻
A grandes rasgos, de cada 100 incendios:
▶️ 82 son intencionados
▶️12 son por negligencias
▶️3, por rayos y causas naturales (…)
▶️Y 1 incendio al año, solo uno, es obra de pirómanos
Wich apps can help you produce a documentary on mobile?
Following long used apps + recommendations from @MarcSettle at @MoJoFest + selfsearching, I edit 10 short episodes of #ProyectoSuárez, a documentary series (watch 👇🏻)
🟢 You don’t need to master every role but…
🟢 You need to be ready to wear different hats
🟢Be mindful of your strengths and weakness
🟢keep curious (and keep learning)
At home I had an iPad Pro 9’7’’ 256 Gg with @lumatouch
I use it 6 weeks until I updated to an iPad Pro 12,9’’ 1 Th to gain capacity
The raw material changed also.
Apart from .MXF files filmed by my colleague with a #Sony FS7M2, we received files shot by our audience (as seen on the pic) with our guidance or by ourselves with the phone (.mp4 and .mov), GOPRO or whatever.