Looking forward to roundtable discussion led by @lhammondsoas who is leading @migration_team on the relationship between the arts and social sciences in forced migration research #IASFM17
Beautiful art produced by refugees raises questions about the message that is being conveyed, by whom and with what purpose #IASFM17
We need to have deeper collaborations to better understand power relations, to valorise culture and language and beauty says @nassimmajidi not just a matter of adding an artist into the mix but about doing our work differently #IASFM17
Visual representations of conflict and forced migration - including miniatures - are easily understandable across cultures, languages and ages says @nassimmajidi#IASFM17
So good to have fascinating artists working across a range of media on this panel, provides a rare opportunity ti better understand the relationship between social sciences and the arts in the co-production - ideally - of knowledge #IASFM17
“Narratives of suffering and grief are a process not an end product”, words can’t capture this process, the politics of emotions requires a different kind of relatability #IASFM17
Concept of ‘voice’ needs to be challenged and unpacked. Silences are also a way of speaking or communicating the pain and horror of forced migration. Creativity is more than outputs, it’s about the processes and relationships with which the creative process is associated #IASFM17
Arts have huge potential to develop collaborations that wouldn’t otherwise happen, to create and shape new voices and forms of communication, to mobilise new alliances to challenge dominant ways of seeing @migration_team#IASFM17
In my experience it is the creative process that matters, not the output, albeit that both may speak to different audiences and resonate in different ways #IASFM17
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Like everyone else who leads/works with @GCRF funded projects, I'm reeling from news that our budgets are to be slashed and grants terminated. We learnt about this through a public announcement on the @UKRI_News, no-one even had decency to consult with or advise us beforehand 1/
This announcement was made, ironically, on the very same day that we made our ResearchFish submission, a hellish bureaucratic system of reporting our outputs, engagements and impacts so that we can 'prove' to @UKRI_News that we are doing what we said we would do with the money 2/
Our @MIDEQHub ResearchFish submission ran to more than 250 pages of publications and engagement activities with impacts on policy debates, training, media outputs and more, all carefully documented, detailed and entered into the system 3/
'The artist and the professor, the mother and the wife' is now online for all to see. This collaboration with @LauraNyahuye of @maokwo was one of the most intense experiences, personal or professional, of my entire life and my feelings about 'going public' are mixed ...(1/?)
On the one hand I feel incredibly proud (a word I generally avoid) of the beautiful things that we have created together. I'm overwhelmed by the beauty in fact. The images. The words. These were created in the intense lockdown days and they take me back to that place...(2/?)
The lockdown forced us to stop and reflect on our lives and the work we both do in ways that would never have happened otherwise. Being forced to 'Stop', to have the opportunity to 'Breathe' was a major theme and recurring theme of our collaboration (3/?) theartistandtheprof.art.blog/2020/07/03/sto…
Funded by @covcampus@warwickuni as part of @Coventry2021 this collaboration has been undertaken entirely online during the #COVID19#lockdown It's been a powerful and challenging experience for many different reasons. We've laughed and cried, written and woven... (2/?)
For both of us this is the first time that we've had an opportunity to #stop#breathe#pause and reflect on the ways in which our own and societal expectations of gendered and racialized roles and responsibilities have shaped our lives #morethanalabel#beyondcategories (3/?)
My latest @scmrjems article with Katharine Jones draws on our #MEDMIG data to unpack the idea that the places people move to outside Europe are always 'in-between' and never intended as 'destinations', an idea that feeds into anti-immigrant discourses... tandfonline.com/eprint/MCBPYQ2…
Treating these places as 'in-between' reinforces the notion that 'everyone' is heading to Europe when they very clearly are not. In reality most people remain in the same region and rebuild their lives in these places. The notion of 'transit countries' serves the same purpose
Our evidence suggests that it is only when life becomes untenable and a decision is made to move that these places take on a state of ‘in-betweenness’, most commonly as part of a personal narrative mobilised by migrants to make sense of the broader arc of their life experiences
Yesterday's speech by @antonioguterres hit so many nails on head. #COVID-19 is shining spotlight on global injustices and issues ignored for decades: inadequate health systems; structural inequalities; environmental degradation; the climate crisis un.org/sg/en/content/…
#COVID19 is not 'the great equaliser', we are not 'all in the same boat'
Importantly @antonioguterres points to long term inequalities associated with colonisation and the unequal incorporation of countries into the global economic system as a key causal factor. It's rare to have such explicit acknowledgement of how we came to be in this mess
Never tried to live tweet from an online event but 4th UNESCO Chair currently being live-streamed contains powerful and moving material which speaks to me strongly in the context of #RefugeeWeek2020 and more generally and needs to be heard so I’m going to give it a try...
The words and experiences of refugees frame everything that’s being said but within that the gendering of refugee experiences, of human experiences of forced movement, relations between mothers and children
Integration is such a difficult concept, one of things that the team tries to do - and has done over previous lectures - is to introduce new ways of thinking about integration. The theme for this year’s lecture is ‘contemplative seeing’ as a way of reflecting on these processes