, 4 tweets, 3 min read Read on Twitter
It appears we've come to the part of the cycle where folks wrongly accuse a brilliant bit of filmmaking by @ava of being "so full of distortions and falsehoods as to be an outright fabrication." (Fairstein's words. Spoiler: Nope.)

Let's review how that went last time with Selma.
As part of a weekly series for @guardian examining the historical accuracy of films (theguardian.com/film/series/re…), @alexvtunzelmann gave it an A.

(Despite the ever so harsh B+ for entertainment value).

Her piece recaps the controversy nicely: theguardian.com/film/2015/feb/…
A few years later, @mccandelish/@infobeautiful conducted his own study, exploring “based on a true story” films scene-by-scene, beat-by-beat, testing their veracity on a data level.

The most true film... wait for it... informationisbeautiful.net/visualizations…
The most true film was Selma.

Here's the beat by beat data if you're curious: docs.google.com/spreadsheets/d…
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