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« La révélation m’est venue d’Orient », scriveva nel 1947 al critico Gaston Diehl. Ma non fu causata da un innamoramento improvviso, quanto da una conoscenza dell’Oriente raffinata attraverso le grandi mostre sull’arte islamica
che si tennero in quegli anni @Paris, e, soprattutto, viaggiando nei paesi del sole. »

Melisa Garzonio

« Henri Matisse. Un cavaliere senza ombre ». Art & Dossier, 2018)
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