It was debatable whether he was any good at it. His first play Le Roi bombance (The Feasting King), debuted to the opening night audience whistling in derision at how bad it was.
(IE, our first futurist was kinda the first troll, attacking everyone else as bad, but then saying their attacks on him only proved how good he was)
Instead of learning his lesson, he became obsessed with the opposite, speed, claiming the accident made him a new man.
So, Filippo focused his work on attacking tradition itself.
He defended it by arguing that, by being Italian+modern, there were by definition no role for Jews in the future and futurism
He would die in 1944 of a heart attack (perhaps brought on by Excited Pig like meals).