The Via Appia Antica, or Appian Way, is one of the earliest examples of a Roman highway. Beginning in the Roman Forum, it runs southeast all the way to the southern Italian city of Brindisi on the Adriatic Coast!
But we’re starting our walk much closer to home!
Even though Rome’s strict #COVID lockdown has been partially lifted for a few short days, we’re still not permitted to leave the commune.
That means our trip along the Appian Way has to begin at the inconspicuous Capannelle Station, as far afield as we’re allowed!
Before trekking down the Via Appia proper, we jog north to the incredible Parco degli Acquedotti! Long stretches of tall aqueducts run through this beautiful park, which was filled with Roman suburbanites taking advantage of the amazing spring weather!
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Aqueducts are synonymous with Roman engineering, but most of them were actually subterranean. The Parco degli Acquedotti is special because two of Rome’s most important waterworks are very visible.
The tall arches of the Aqua Claudia are contrasted by the stout Aqua Felice!
This park also preserves the enchanting landscape of Campagna, which has long inspired visits from artists, poets, & travelers.
In 1832, the American landscape painter Thomas Cole sat on the same rolling hills, sketching a stretch of the Aqua Claudia!
From the Parco degli Acquedotti, we had to get off the beaten path to reach the Parco della Caffarella.
We took a wrong turn once or twice, but we were always greeted by something special, from a wonderful old bridge to some amazing abandoned villas!
Known in antiquity as the Triopius, the Parco della Caffarella was once home to the notorious Athenian polymath Herodes Atticus.
Monuments across the park pay homage to its former owner and time as an agricultural estate, from enormous cisterns to monumental tombs!
The Via Appia was home to the monumental tombs of Rome’s rich & famous, and we intersected the road at one of its most famous examples: the Tomb of Caecilians Metella.
Originally a large tower tomb with elaborate sculptural decoration, it became a fortified home in 1303!
Most of the tomb’s sculpture and inscriptions was built into the later castle, and they’re still very visible from the Via Appia.
From fragmentary family members to incomplete inscriptions, there’s enough ancient art here to please anyone who might pass by the tomb today!
Just across the street from the tomb, we find a rare example of Gothic architecture in Rome!
Built in 1303, the Cistercian Church of San Nicola once served the fortified village of the Caetani family, who owned this part of the Via Appia.
Speaking of great churches, just down the road stands the spectacular San Sebastiano fuori le mura (St. S outside the walls), one of Rome’s premier pilgrimage destinations.
Originally built in the 4th century, the current building dates mainly to a 17th century restoration.
If its exterior is impressive, interior of San Sebastiano is breathtaking. The ornately decorated ceiling looms high above, featuring both a full sculptural scene of St. Sebastian and the coat of arms of the Borghese family, who funded its renovation in 1615.
In 1715, Pope Clement XI commissioned the Albani Chapel in honor of Pope Fabian. Designed by a who’s who of 18th century Italian artists, this small chamber packs a very big punch!
The most spectacular masterpiece in San Sebastiano is actually a recent arrival!
In 2001, this bust of Christ as Salvador Mundi was found in a convent next to the church. Thought to be by a sculptor from Palermo, it’s now considered the last work by Bernini...when he was 82!
Our journey ends at the Porta San Sebastiano, the largest gate in the Aurelian Walls. Built ca. 275, it’s covered in graffiti by medieval travelers waiting to enter the eternal city!
Just inside is the Arch of Drusus with plenty of rush hour traffic headed toward the Via Appia!
Thanks for joining me, @LevintheMed, @mdlett, & the Twitter-less Rachel Patt on our winding walk through Rome’s spectacular southeast!
There’s so much more to see, and it’s already time to start planning a hike for our next window in this long Roman lockdown!
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When we got word of the impending lockdown, I was on Crete with the @ASCSAthens for a whirlwind tour of the islands incredible archaeology (& beaches).
We had only covered one half of the island when we had to pulled plug and hoped on the next ferry back to Athens...
March 2020: Athens enters full lockdown & the city is silent for the first time in my memory. No one had any idea how #Covid_19 was transmitted and it felt like the whole city was working together to make sure that the Greek health wasn’t overwhelmed...and it was working!
We’re all familiar with Ancient Greek sculpture missing arms, legs, or heads. But why do these busts look like they’ve been battered, broken, & burned? Let’s explore some peculiar Hellenistic sculpture from Kalydon in this #THREAD!
2/ You may know about Kalydon from its mythological boar hunt. Before the Trojan War, Artemis sent a legendary boar to ravage the Aetolian countryside. The local hero Meleager was joined by some of the most famous heroes in Greece, and the huntress Atalanta struck the first blow!
3/ The myth of the Kalydonian boar hunt has been famous since the time of Homer, and has always been a favorite scene for artists. Representations abound: from Archaic vase painters, to Roman sculptors, and even the 17th c. workshop of Peter Paul Rubens!
2/17 What’s all the fuss about? When Alessandro Torlonia dissolved the Museo Torlonia in 1976, one of the most famous collections of ancient sculpture disappeared from public view.
Now, 92 of the 620(!) sculptures from the collection are on display at the Museo Capitolini!
3/17 The collection itself has an incredible history, acquired by the Torlonia family from other Italian noble families like the Giustiniani in the early 19th century.
However, the modern history of some of these objects stretches back to the 1500s, recorded by artists in Rome!
Music accompanied nearly all aspects of Ancient Greek life: religion, funerals, the harvest, military marches & of course poetry! Today’s #MuseumsUnlocked#thread highlights archaeological evidence for Greek #music & an excellent regional museum!
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The study of Ancient Greek music is a large field on its own, with scholars focusing on everything from musical theory to notation and everything in between!
Songs are preserved in texts and inscriptions like these from Sounion, Vrasna, & Volos, each with its own notation style!
What were the instruments of Ancient Greek music? There’s an excellent exhibition of artifacts and reconstructions at the Archaeological Museum of Arta in Western Greece, which give us the opportunity to see what the most common instruments looked like. Let’s do a quick review!
If you’ve ever visited #Amman, you’ve definitely caught a glimpse of the colossal Temple of ‘Hercules’ standing tall on ancient acropolis. The architecture is amazing, but who was the temple actually for & was it ever finished?
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The Amman citadel is an amazing site & I hope this thread inspires some visits! Occupied since the Neolithic period, the citadel is marked in some way by every phase of Jordan’s history.
It’s also home to an amazing archaeological museum, featuring an even wider range of finds!
The temple sits a conventional Roman podium on the southern end of the fortified citadel, and would have measured 30x24m. The most impressive aspect of the building is its vertical scale: each of its columns rises some 10m atop the stylobate, making it incredibly imposing!
After two long months, Greek archaeological sites are officially reopening! The only way to celebrate is a visit to the Acropolis of #Athens, but things aren’t quite the same. Here’s a tour of the *empty* Acropolis!
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Usually packed with endless trains of your groups, the Propylaea was as quiet as a mouse! New barriers have been installed to reduce contact, but everything else looks endlessly familiar!
Minor changes on the site come courtesy of the archaeologists & architects of the Acropolis Restoration Project. Work continues in earnest toward restoring the Parthenon’s west pediment, but this sheet metal conceals great news: the removal of the old cement crane foundations!