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This is the day I put the season finale pages down and back out to the outline and track the emotional payoffs of the season-long themes LONGHAND. It’s as if I need the physicality of the pen to break the “typing” mindset of plotting and dialogue and scenework.
I don’t know how other writers do it, but I need to keep hopping up and down the scale as dialogue reveals a character moment and then I pop high to see how to bring it in tune to what we’re doing emotionally. And if it’s all of a piece, converging.
25 years in you’d think this would be easier, or standardized. But it’s a pain in the ass every time.

It’s also, weirdly, one of my favorite moments in the whole season.
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