#AManWithASelfImageProblem
Last week at church, we read Dan. 3 together.
Below are some thoughts on it.
where the rise and fall of the tower of Babel is narrated.
As such, the text of ch. 3 has an ominous ring to it.
Acts which are contrary to God’s mind and will are about to occur,
Consider a few notable parallels between the events of Gen. 10-11 and those of Dan. 1-4.
Just as the men of Babel gather the world’s tribes and clans together in the land of Shinar,
Just as Shinar’s inhabitants speak to one another in a common tongue,
Just as the men of Babel draw the world’s towards Shinar by means of a tall vertical structure erected on a plain,
so Nebuchadnezzar assembles his people around a tall structure erected ‘on the plain of Dura’
Just as the top of Babel’s ancient tower comes into contact with the heavenly realms and hence arouses God’s attention,
And just as God calls together his heavenly council in response to the men of Babel’s actions (by a chain of plur. cohortatives: נרדה ונבלה שפתם),
In both cases, heaven descends and breaks up Babel’s party.
Shinar’s inhabitants are dispersed throughout the world, as they should have been in the first place,
and Babylon falls shortly afterwards,
which allows Israel to return to her land.
As such, our text’s position with the canon of Scripture is instructive.
and are part of a sequence of events which are destined to end in Babel’s judgment.
God does not want too much power to be concentrated in one man.
Or at least not yet.
And yet, in Nebuchadnezzar’s restoration (ch. 4), we see a hint of God’s redemptive purposes.
#GoodNewsForPolyglots
God will ultimately redeem every tribe, tongue, and nation (Rev. 5),
just as he redeemed the fallen Nebuchadnezzar.
The most obvious feature of ch. 3’s literary nature is its preoccupation with *lists*.
viz., ‘satraps, prefects, governors, counselors, treasurers, justices, magistrates’, and a catch-all category, namely ‘every (other) ruler in the province’.
People-groups are listed (vs. 4, 7, 29), viz., ‘tribes, nations, and tongues’.
viz., ‘(animal) horns, piped instruments, lyres, zithers, harps, tambours’, and another catch-all category, namely ‘every (other) kind of musical (instrument)’.
These lists are significant in a number of ways.
Every aspect of Nebuchadnezzar’s ceremony is taken to an extreme.
Nebuchadnezzar does not want just Babylon’s natives to be represented; he wants every tribe, tongue, and nation represented.
And he does not simply want a few choice musical instruments to be played; he wants (quite literally) the whole ensemble.
Indeed, as the chapter goes on, Nebuchadnezzar’s behaviour becomes more and more extreme.
Nebuchadnezzar seeks not simply to kill his three insubordinate Hebrew servants
And, soon afterwards, he completely reverses his decision,
at which point he threatens to dismember anyone who speaks ill of the Hebrews’ God (3.29),
Second, our text’s lists dictate the flow and tempo of our text,
which serves to enhance its dramatic tension.
but we do not know whether Daniel and his friends (and/or other exiles) are present at the ceremony.
Questions therefore form in our minds.
Where is Daniel?
And what will Nebuchadnezzar do in response?
Ch. 3’s lists make us wait for the answers to these questions,
and hence prolong our suspense.
Indeed, the narrative transitions into virtual slow motion
where the three Hebrews emphatically declare they will *not* worship Nebuchadnezzar’s god.
#SomebodyGiveMeAChiasmus!
As we work our way through our text’s many lists, we inevitably switch to auto-pilot.
The repitition of lists becomes mechanical and slightly mindless.
and their mindless subservience to his will and decree,
against which backdrop the calm and collected individuality of the Hebrews shines out like a beacon on a hill.
Nebuchadnezzar’s ceremony is intended to reflect (and enforce) the harmony and unity of his kingdom,
yet the Hebrews’ actions cause our text’s regularities to dissolve.
P.S. In modern Hebrew, a פסנתרין is a piano, which I find quite neat.
Hence, as the Hebrews disrupt Nebuchadnezzar’s big moment, they also disrupt the literary harmony of the text.
Compared to the rest of Dura’s attendees, they march to the beat of a different drum.
In Scripture, as in the modern world, ten is a nice round number:
Laban is said to have changed Jacob’s wages ‘ten times’ (Gen. 31.7);
Job’s friends are said to have reproached him ‘ten times’ (Job 19.3);
The text of ch. 3, however, is built around the number eleven,
which is significant,
since everything in the chapter is taken ‘one step too far’.
Nebuchadnezzar’s ‘image’ (צְלֵם) is referred to 11 times,
The verb ‘stand’ (קום) occurs 11 times.
The word ‘man’ (גְּבַר) occurs 11 times.
The verb ‘worship’ (סגד) occurs 11 times.
And ‘king’ (מלך) occurs 22 (11 x 2) times.
since it reflects the way in which Nebuchadnezzar overreaches himself.
Just as (in ch. 7) the beast’s 11th king arouses heaven’s attention and disapproval,
And, ironically, the final deathblow is dealt to Nebuchadnezzar’s ceremony when he sees ‘one figure too many’ in the furnace.
(‘I see four men unbound...in the midst of the fire, the fourth like a son of the gods!’)
a] the measurements of Nebuchadnezzar’s statue (60 cubits by 6 cubits), and
Ch. 3 has been constructed with great care and attention.
At the outset of ch. 3, Nebuchadnezzar constructs an image of gold.
The question arises, Why gold? And why *now*?
The answer lies in ch. 2’s dream.
In ch. 2, Nebuchadnezzar is shown a vision of a colossus...
The head of gold depicts the reign of Nebuchadnezzar himself,
while the other metals depict the reigns of Babylon’s successors (Cyrus, etc.).
Nebuchadnezzar’s kingdom will soon be replaced by others, and ultimately by *God’s*,
in response to which Nebuchadnezzar should acknowledge God’s authority over his life and reign,
and, in ch. 3, he starts to actualise it by means of a colossus made entirely of gold.
Nebuchadnezzar’s image is not only, therefore, an exercise in self-promotion;
it is a statement of intent.
‘There will be no kingdom of silver, nor of bronze, nor of any other material. Babylon, the kingdom of gold, will reign forever; her golden age will experience neither deterioration nor decay!’ (cp. Isa. 47.7).
More than likely, it was merely gold-plated, constructed around a clay core (like many of the statues which have been excavated from Babylon),
which (if true) is highly ironic.
He would rather define his own future,
which he decides to symbolise by means of a golden colossus.
And yet, in his pride, Nebuchadnezzar decides to make the colossus 60 cubits high,
As a result, the image at the centre of Nebuchadnezzar’s ceremony is likely to have been underlain by the very weakness of the image depicted in ch. 2’s dream, namely, elements of ‘clay’!
but to man’s pride and poverty.
In 3.2-6, Nebuchadnezzar outlines how his ceremony is to proceed.
Its terms are simple: all without exception must bow down before the king’s image.
All he asks is that they bow down before his image.
*Why* they choose to do so is of no concern to him.
As he looks out on a vast sea of submissive subjects, three notable exceptions are still on their feet--namely, Shadrach, Meshach, and Abed-Nego--,
He is the most powerful man in the Near East, with a whole army at his beck and call.
for, while Shadrach, Meshach, and Abed-Nego have been given new names, they remain faithful to their old master.
The situation finally comes to a head in vs. 17-18,
where the Hebrews state their position in no uncertain terms.
Their words are a model of obedience, courage, and clarity of thought:
(And both) from the furnace of blazing fire and from your hand he will deliver (us), O King.
(Note: My trans. of vs. 17 is informed by its atnach.)
God is perfectly able to deliver them from Nebuchadnezzar’s furnace should he choose to do so.
Of that, they have no doubt.
The three Hebrews seem to *expect* God to deliver them (cp. ‘From your hand he will deliver (us), O King’).
All they state with certainty is what they themselves can control, namely, their next course of action,
which is to obey their God and Saviour, come what may.
and they have decided to honour God.
If, as a result, they must be thrown to the flames, then so be it.
The ceremony, after all, was merely a ritual.
God would surely not be concerned about such minor details as whether they genuflected before a lump of metal, right?
But while such gymnastics may have persuaded some people to take the easy way out, the Hebrews were made of sterner stuff,
They had been faithful in smaller matters, such as the issue of what to eat and what to drink (cp. ch. 1),
and, when the more difficult test came, they were therefore able to hold firm.
‘When...death was set before their eyes, they did not turn aside from the straightforward course but saw God’s glory as of greater value than their own lives--nay, than a hundred lives if they had so many to prove their faith.’
Unexpected though it may be, our text resonates with many of the events of Rev. 4-5.
In Rev. 4-5, John is given a vision of a heavenly throne surrounded by heaven’s hosts, arranged in concentric circles.
The inner circle consists of four mighty creatures,
beyond whom are assembled the rest of God’s people--men from every tribe and tongue and nation (Rev. 5.9).
As John watches, a song begins in heaven:
it is initiated by the inner creatures,
and finally echoed by all God’s people (Rev. 4.8, 4.9-10, 5.8, 5.13).
Nebuchadnezzar’s ceremony parallels these events in a number of noteworthy ways.
It is surrounded by men of various degrees of importance (hence ch. 3’s lists of personnel).
And, as our text unfolds, it follows the course of Rev. 4-5.
each of whom falls on his face in worship before Nebuchadnezzar.
As such, ch. 3 reflects Nebuchadnezzar’s remarkable pride and arrogance.
for heaven’s king has won the hearts and affections of his people and has led them to freely worship him in heaven’s courts.
The end.
Please Re-Tweet if this has been helpful to you.