Ahoy, Jessica! Nice talking to you just now. Here’s a thought or two about the S & friends; feel free to use or discard. I wondered if you‘re seeing what I’m seeing... —>
I wonder if turning the S clockwise is all it needs? (Also possible that you’ll want to add weight in the spine, but I’d start with rotating it, to see if it helps.) —> 
I also wondered about the weights in the T (blue, green) vs the weight of the G’s descender (orange). I’d be curious what happens if you rationalize these by heavying up the T, unless that makes things too bland. —>
I’m very intrigued by the thicker-than-expected joins, which give things a cheerful insouciance. Possible that the upper one is too shallow, or gaining speed as it approaches the stem? —>
If the B is intentionally charming & unmannered, maybe it’s worth making the O less geometric? Some *slight* fattening up of its corners might be worth looking at. —>
A small thought on the A: I have a feeling that if you keep these off-curves in place, but slide the on-curves left, it might even out the “speed” of these curves, if that’s useful and what you want. —>
One last thought: to my eye anyway, the bottom of the E feels a little heavier than the top. If it’s intentional, maybe push it further? (If not, pull it back?) I think this will be cheerful either way, the question is just what you’re looking for. —>
Anyway, that’s my 2¢, in case it’s useful. Either way I look forward to seeing where this goes! xx J
