(1/8) One of the twelve Olympians and the herald of the gods, Hermes also played the role of protector of human heralds, travellers, thieves and merchants.
(2/8) In Greek mythology, Hermes was the son of Zeus and Maia. In reality, he appears to have emerged in Mycenaean Greece in the Late Bronze Age. His name first appears in Linear B syllabic script as "hermΔhΔs", and he may have been adopted from Mesopotamia.
(3/8) Beyond his role as messenger, Hermes was also able to freely move between the realms of mortals and the divine. As such, he also played the role of psychopomp, or "soul guide", directing the souls of the dead into Hades.
(4/8) In his iconography, Hermes was sometimes depicted as an athletic young man without a beard. He was also often seen as nude, save for a petasos, or voyager's cloak and the caduceus, a herald's wand entwined by two serpents. A winged helmet and sandals were also common.
(5/8) Hermes was widely worshipped across the Greek world due to his association with death, athleticism and oratory. The province of Arcadia was a focus for his worship, however, with the only 3 known temples specifically dedicated to Hermes located there.
(6/8) Hermes, like much of the Greek pantheon, was also imported to the #Roman world in the guise of Mercury. Like Hermes, he fulfilled many of the same divine roles, and had temples across the Empire. In Rome, his temple was situated by the Circus Maximus.
(7/8) Worship of Hermes was supressed by #Christians from the late 4th century onwards, but he surprisingly survived in Christian theology. Figures like Augustine believed that Hermes Trismegistus, an epithet for Hermes, was in fact a pagan prophet who predicted Christianity.
(8/8) By the #Renaissance, theologians argued Hermes Trismegistus was in fact part of a line of #Jewish prophets, coming after Enoch and before Noah. Regardless of his revisionary role in history, Hermes remains a popular symbol for couriers and athletes alike!
(1/7) Situated in Rome between the Colosseum and the Palatine Hill, this imposing triumphal arch spans the Via Triumphalis, a road taken by victorious Roman generals celebrating a triumph.
(2/7) Built between 312 - 315 CE, this monument commemorated Constantine's victory over his rival Maxentius at the Battle of the Milvian Bridge in 312. Commissioned by the senate, it was unveiled on 25th July 315 to much celebration and prayer.
(3/7) Stylistically, the arch is a clear example of the downfall of Classical Greek art forms in the Roman period, and a sign of the city's decline. Re-using reliefs of Trajan, Hadrian and Marcus Aurelius alongside those of Constantine, it presented a mixed artistic message.
(1/7) The witty and entertaining tomb of Marcus Vergilius Eurysaces is one of the best-preserved freedmen funerary monuments in #Rome and sits in a prominent position at the Porta Maggiore.
(2/7) Built c. 30 - 20 BCE, this extravagant site reflects both Eurysaces' wealth and sense of humour. A freedman who must have made a fortune from a chain of bakeries supplying bread for public rations, he seems to have been immensely proud of his position and riches.
(3/7) Indeed, his tomb is an architectural pun. Made of tufa and white marble, it takes the form of bakery equipment. The three rows of medallions at the top are dough-kneading bins on their sides, and the lower 'columns' are upright dough-bins stacked on top of one another.
(1/9) Located in #Rome, the Pyramid of Cestius is one of the best preserved classical buildings in the city. Moreover, as an imitation of an #Egyptian pyramid, it is also one of the most unique.
(2/9) Built between 18 - 12 BCE, the pyramid was constructed as a tomb for Gaius Cestius. Cestius had served as a praetor, tribune of the plebs, and was a member of the Septemviri Epulorum, one of the four great religious corporations of the city.
(3/9) Stylistically, it appears to imitate the pointed pyramids of Nubia, particularly in the ancient Kingdom of MeroΓ«. In 23 BCE, Rome attacked this kingdom, leading scholars to postulate that Cestius may have served in this campaign and been inspired by Nubian architecture.
(2/5) Originally, an Archaic-period temple sat on the site. Made of tufa, it was destroyed c. 480 BCE during the #Persian invasion of Greece. Despite being destroyed, the Athenians placed a captured Persian trireme on its ruins following the allied Greek victory in 479.
(3/5) The surviving temple was constructed between 444 - 440 BCE, and serves as one of the major monuments of the Athenian golden age.
Later described by Strabo as a "noteworthy settlement", it remained a significant cult centre into the #Roman imperial period.
(1/8) Located in Chichester, #England, Fishbourne Roman Palace (@romanpalace) is an incredible example of Roman residential architecture and is thus far the largest building known from #RomanBritain.
(2/8) Fishbourne Palace has very early origins compared to the many sites of Roman Britain. Occupation of the site appears to have started in 43 CE, the year of the Roman invasion. Initially, Fishbourne acted as a supply depot for the Roman army.
(3/8) By the 60's CE, the site had developed into a stone-walled villa, which featured a colonnaded courtyard garden and bathhouse. Based on excavations, it appears Italian craftsmen were employed to decorate Fishbourne with wall paintings and stucco mouldings.
(1/6) The stunning Temple of Augustus is situated in the city of Pula in #Croatia, and stands as one of the best preserved Greco-Roman temples outside of Italy.
(2/6) Built between 27 BCE - 14 CE, it was dedicated to the Emperor Augustus during his lifetime. Part of a collection of three temples, the Temple of Augustus sat to the left of two now destroyed temples, one of which was dedicated to the goddess Diana.
(3/6) The dedicatory inscription, originally in bronze lettering, read:
ROMAE Β· ET Β· AVGVSTO Β· CAESARI Β· DIVI Β· F Β· PATRI Β· PATRIAE
"In honour of Rome and Augustus Caesar, son of the deified [Julius], father of his country."