this amusing image passed our way this morning; it's a rendered image (like most of @elonmusk's publicity materials) of that hideously low-polygon @Tesla truck that will probably never reach market.
I would like to offer a speculation as to why it looks so ugly.
~Mona
the hideousness of the $TSLA truck is baffling, even taking into account the mind-numbing effects of being in @elonmusk's quasi-religious faction. it's the sort of thing that makes you wonder: "didn't *anyone* of importance denounce this thing during the design process?"
~Mona
but that question should be the first clue: quite possibly there *was* no real design process. it's possible that @elonmusk really did "design" the appearance of the @Tesla truck the same way Homer Simpson "designed" his perfect car by idly scrawling on bits of paper.
~Mona
which brings me to a central point: the personal #computer and the #software industry has made it possible for ANY entrepreneurial or managerial idler, not just @elonmusk, to playact at being a designer—or photographer or graphic artist or writer, or any other creator.
~Mona
it has been a while since I've had to deal personally with incompetent and self-important managers or executives of the #ElonMusk stripe—miniature Musks are to be found everywhere in #capitalism, whose leadership tends toward inept mediocrity and pretensions of brilliance.
~Mona
in my day the usual plaything for the grandiose corporate manager was Microsoft Office, especially Excel (because it made graphs) and PowerPoint (because it made mini-movies).
as a result, #capitalism and its dead "invisible hand" moved the corporate #executive class to start firing professional artists, writers, designers, and everyone else with a creative skill—rather in the way @elonmusk has been mowing down @Twitter / @TwitterDev workers.
~Mona
money-mad pirates of the #ElonMusk / @pmarca / @paulg sort are deeply uncreative people; money-hoarding is a purely destructive enterprise, and they suspect that all creative professionals are 'having fun' and therefore not doing real work—as if counting money was "work".
~Mona
ultimately, @elonmusk and even pipsqueak grifters like @APompliano and @BillyM2k think the same thing about the creative professions: "I can do it all myself! I have #software for that!"
they even let the software do the money-counting (qq.v. #cryptocurrency and #NFTs.)
~Mona
as Chara and I have said before: the #entrepreneur is a profoundly *idle* person: their daydream is making piles of cash with zero effort. @elonmusk's real job, if any, is mere public relations for @Tesla, @SpaceX, @neuralink, and @boringcompany. he's selling *himself*.
~Mona
but #ElonMusk and every other self-inflated manager and executive in #capitalism fancies themselves a great creator and builder, and it can't be doubted that #software—MS Office, CAD programs, 3D modelling software, etc.—has given them an illusion of boundless creativity.
~Mona
hence it's possible that the grotesque $TSLA Truck looks the way it does because @elonmusk doodled onto a napkin—the "napkin" in this case being a throwaway Blender project, or similar—and @Tesla has been forced to do its best to market this awful, amateurish "design".
~Mona
I would like to add one more speculation, pertaining to the perplexing low-polygon look of the @Tesla Truck. all the sycophants—@Timcast, @Teslarati, @TeslaMotorsClub, that crowd—seem to think this thing is pretty...
...in rendered images, anyway. that is important.
~Mona
@elonmusk himself favors appearing in "rendered images"—that is to say, it's almost certain that all his official photography is extensively doctored and airbrushed.
#ElonMusk is older than us, and trying to hide his age—winning the appeal of faded youths like @mtaibbi.
~Mona
my real point is that the @elonmusk fanclub—@mtaibbi, @paulg, @APompliano, all those @GOP politicians and #cryptocurrency gamblers—are people who live on their computers and phones, forever triple-checking their stock portfolios and virtual "wallets". it's their reality.
~Mona
@Timcast, @BillyM2k, &c. are people who look at the rendered images and think, "this is *almost* real! and @elonmusk is a 'genius' so of course he's going to make my dreams about this rendered image come true." they think this about his @SpaceX and #Mars ambitions as well.
~Mona
#business and #technology#journalism, hopelessly corrupted by #capitalism, has amplified this blurring of boundaries between computer-generated images and reality. @arstechnica and @BW and other press outlets freely report @elonmusk / $TSLA rendered images as "news".
~Mona
think about what lies behind these #technology / #business news items about some "innovation" from @Tesla or @SpaceX or @boringcompany: we're seeing the results of *playing with computer models*, often simple palette changes even, reported as though they were newsworthy.
~Mona
@elonmusk could probably turn a few hours of noodling on @KerbalSpaceP(rogram) into a myriad of press releases—the #ElonMusk / @Tesla / @SpaceX corporate machine owes its fame to broad-spectrum media promotion, even though @Timcast thinks "the media" is Musk's enemy.
~Mona
a last point about the low-polygon look of @elonmusk's @Tesla Truck—a wild guess.
3D modelling programs these days aren't just for drafting but physics simulation—virtual windtunnels. this in itself is worrying, for it suggests $TSLA might dispense with practical tests.
~Mona
to be a money-poisoned #entrepreneur of the @elonmusk / @JeffDean sort is to be *stingy*, *miserly*—"penny wise and pound foolish", i.e. obsessed with short-term cost-cutting and doing long-term damage thereby. @Twitter is experiencing the effects of miserly managing.
~Mona
hence it's all too probable that $TSLA cars skimp on practical testing, because the stingy (and computer-besotted) #ElonMusk and @Tesla execs tell themselves simulations are good enough.
but that is not my ultimate point, which has to do with #speed. (not THAT kind.)
@WholeMarsBlog now...this sort of thing is very interesting. it's speculative and futile, nonsensical even, but these little arithmetic calculations are one of the chief preoccupations of the grifter class—the #entrepreneur class, the #investor class, the #cryptocurrency gambler class.
~Mona
@WholeMarsBlog@WholeMarsBlog, @APompliano, @BillyM2k, and all the other grifting rag-tag who are wont to dangle after @elonmusk (or any other wealthy and famous person whom they perceive as blessed with #success) spend huge amounts of time with these napkin-scribblings that forecast *riches*.
@WholeMarsBlog@APompliano@BillyM2k@elonmusk@WholeMarsBlog starts out with a false assumption: @Tesla will be able to extract cash from literally every car driver in the country. this is their presumed #market, and it's deliberately chosen to be as broad as possible, so as to forecast even greater riches from extorting it.
one of the most curious details about the first #Matrix film is that the machine intelligences who created the system once tried to create a Utopia within it, a perfectly harmonious world--and it failed. of course, they blame imperfect humanity for not accepting Utopia.
~Mona
after all, machines are *perfect*, right? if a @Tesla crashes or burns, it *must* be the fault of the driver, right? @elonmusk would say so, and @WholeMarsBlog &c. and everyone else in the #ElonMusk clown show would agree with him. machines are perfectable, humanity isn't.
~Mona
@ID_AA_Carmack and that @sama bigot and all the other enthusiasts for #AI have a similar faith. such superficial persons have been taught, by decades of inculcation in the superficial value system of Western #programming nerd culture, to think of human brains as weak.
how does the locked-in rigidity of the social structures established by #Christianity and #capitalism play out on an *individual* level? face-to-face, person to person?
Western society applies the values of *social dominance* to individual interactions and conversations.
the central principle is very simple: whenever two people interact, one of the two is *socially superior*, and the other is *socially inferior*. person A, interacting with person B, is in some unspoken way "better" than person B: they are the *socially dominant party*.
(2/x)
there's an unspoken ranking, or value of social credit, attached to every single person in Western society; this social-credit score might be thought of as equivalent to an Elo ranking in #chess--a single number that ranks *all chess players* from superior to inferior.
there's lots of answers to this question, especially in these dismal days of runaway #capitalism, which uses *everything* for #marketing and #branding, even things like elementary particles and prepositions.
there's some chat protocol called "Matrix" that we know basically nothing about. "Matrix" is a character in the movie "Commando". Martin Gardner (peace be upon him), who once wrote a popular mathematics column for @sciam, created a fictional "Dr. Matrix", a numerologist.
(2/x)
the matrix is a fundamental mathematical construct, a two-dimensional array of mathematical entities of the same type. one can form matrices of bits, integers, real numbers, complex numbers, functions, many other things. matrices have many uses in mathematics and physics.
the massed money and might of #capitalism—for "The Matrix" may as well be called "Capital", or more precisely the rigid and regimented society created by global capitalism—wishes to imitate heroism, so they've copied iconography from heroic fiction, including "The Matrix".
(2/x)
this sort of thing has been going on a while.
President John F. Kennedy benefited from such conscious mythography, when he was openly compared to King Arthur (no doubt galling Mr. @dick_nixon). @RonaldReagan imitated the fictional heroism of stereotypical Western lawmen.
let's return to this #Matrix business, shall we? there's so much that can possibly be said about the Wachowski Sisters' "Matrix" tetralogy. I admit that we've not watched the fourth film, and our one viewing of the third film was incomplete and at a bad time in our lives.
"The Matrix" was in fact one of the first films we saw after moving to Seattle in late 1999; we saw it not long after its release, in the "Uptown" movie theater in Queen Anne. we were sixteen years at least from realizing we were trans (and plural and a CSA survivor &c.)
(2/x)
we existed in a state of near-constant dissociation from our emotional agonies. it is possible to exist in such a state; it's a strange one.
all physical sensations are blunted, one's memory is seriously impaired, and people call you "absent minded" and "clumsy" a lot.