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The reason Gameindustri is in the state it is in, is because of EA and Disney and Sony (Lastation)
For Yoko Taro with the Help of Pixiv defeated Star Wars in the most important game franchise the game had, and for all that success (3 months) -
...the whole western development/game journalist and ultimately two of the three major platforms and at least one of the PC Store Fronts has been on a tear, along with the #metoo movements as a cover - went after all of Japanese development/gaming and art work.
This also effected how western development was shown. You remember that EA because of the extremely slow start of Star Wars, had to stop production and fire Amy Henning from the single player game of Star Wars she was planning...
- but in between both announcements - they and other western developers doubled down on lootcrates and other items of note, while in turn, removing adult-ish themes from certain games.
EA, and many other western developers are signatories of the ESA and by extension the ESRB. In a future transmission, I will talk about the greatest scandal and swindle nobody is talking about and it will change your mind about this whole industry forever.
Nevertheless, these are the reasons why your games are now looked by a fine tooth comb. Anything that destroys or even dents that "narrative" of the western entertainment hegemon is to be destroyed. They will use bots. Paid saboteurs in twitter, facebook, Instagram and the like.
The use of "booby" streamers that break these rules as long as its for money - but let it be drawn or rigged up on Unreal Engine 4 for a game and its whitted out.
And speaking of these "booby" streamers, we can see the tragedy right up close and in its face with the devastating story about #RIPBianca and how such dead society continues to fester these demonic and self inflected tragedies upon its own children and younger adults.
EA and many other companies such as these give many of the journalists arms favorable coverage. In the end -
these sycophants protect them against the issue of the workers who help build these games while at the same time protecting some of the western developer lead bosses and producers who don’t have the talent...
nor the skill as the older, retired or even Japanese counterparts in any shape or form either aesthetically or in any sort of intellectual braintrust real or imagined.
It leads to comments such as the one made called "Surprise Mechanics" to a UK Parliamentary Group investigating loot crates. How other developers say that their audience no longer matters as we head towards a streaming era.
They did it because the way women are seen then, and the way they are seen now, and the way every corporation bends over side ways for those women who only accomplishments to date are:
Those that got lucky in the chest
Those that are unlucky in looks.
Those used by the middle to help their own careers by destroying others who don’t fit the other two.
50 years ago, many people of all races joined in what is mankind's greatest accomplishment. Sending men to the moon and back again. Digital technology - motherboards, memory chips literally sown in.
Today, 50 years past - the descendants of these technologies and those that become the stewards of these tools no longer help humanity go beyond the shackles of earth, but keeps us on the earth, cold, shacked to falsities of good news and better things ahead.
These false prophets of our time, the game journalists and editorial, the promotion and censor board, the liars and the electronic "celebrities" promise changes. Greater changes. Newer hopes. But in the back of your mind you know the truth:
The same political and social wills and ills that destroyed humanities chances to go farther than the moon...
...are the same political and social ills and wills that censor product, promote lootcrates and devastate your minds and your bodies to the altar of a sexuality that has become insecure at its core, and devastatingly stone age in behavior, art, narrative and style.
And im not talking about many men or any men that truly matter in gameindustri.
No. The fault lies there. And many of them are victims and participants to the same act.
Their grand aunts and mothers built protections for the elements of space, and to compute navigation systems and joystick gyroscopes...
Their grand daughters now are slaves and foot soldiers all the same to the grand narrative that keeps dying franchises like Star Wars alive, EA Alive and other such foolhardy jesters of need only to make this hobby and gameindustry much less…
Pretty….
Transmission End 
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