(1/8) One of the twelve Olympians and the herald of the gods, Hermes also played the role of protector of human heralds, travellers, thieves and merchants.
(2/8) In Greek mythology, Hermes was the son of Zeus and Maia. In reality, he appears to have emerged in Mycenaean Greece in the Late Bronze Age. His name first appears in Linear B syllabic script as "hermฤhฤs", and he may have been adopted from Mesopotamia.
(3/8) Beyond his role as messenger, Hermes was also able to freely move between the realms of mortals and the divine. As such, he also played the role of psychopomp, or "soul guide", directing the souls of the dead into Hades.
(4/8) In his iconography, Hermes was sometimes depicted as an athletic young man without a beard. He was also often seen as nude, save for a petasos, or voyager's cloak and the caduceus, a herald's wand entwined by two serpents. A winged helmet and sandals were also common.
(5/8) Hermes was widely worshipped across the Greek world due to his association with death, athleticism and oratory. The province of Arcadia was a focus for his worship, however, with the only three known temples specifically dedicated to Hermes located there.
(6/8) Hermes, like much of the Greek pantheon, was also imported to the #Roman world in the guise of Mercury. Like Hermes, he fulfilled many of the same divine roles, and had temples across the Empire. In Rome, his temple was situated by the Circus Maximus.
(7/8) Worship of Hermes was supressed by #Christians from the late 4th century onwards, but he surprisingly survived in Christian theology. Figures like Augustine believed that Hermes Trismegistus, an epithet for Hermes, was in fact a pagan prophet who predicted Christianity.
(8/8) By the #Renaissance, theologians argued Hermes Trismegistus was in fact part of a line of #Jewish prophets, coming after Enoch and before Noah. Regardless of his revisionary role in history, Hermes remains a popular symbol for couriers and athletes alike!
(1/6) Located in Baalbek, #Lebanon, the Temple of #Bacchus is an amazing example of Imperial Roman architecture, adorned with Corinthian columns and lavishly decorated ceilings and parapets.
(2/6) Likely constructed under emperor Antoninus Pius (138 - 161CE), the temple is a massive 66m long, 35m wide and 31m tall, which is larger than the Parthenon in Athens! 8 columns wide and 15 columns deep, it features a walled cult room split between two floors and a crypt.
(3/6) Despite its namesake, it is unknown as to which deity it was dedicated. Archaeological evidence from the site however suggests #Bacchus, as the interior design depicts a god of wine and ecstasy and other Bacchic symbolism like Maenads and revellers.
(1/7) The Temple Garni is situated in the village of Garni in #Armenia, and stands as the only Greco-Roman temple in the nation. It sits on a cliff edge by the Azat River and the Gegham mountains.
(2/7) Constructed in the 1st century CE, it was most likely built under the Armenian king Tiridates I as a temple of Mihr, the Armenian sun god. Supported and crowned as king by the Roman Emperor Nero, it is thought Tiridates adopted Mihr as his patron deity and protector.
(3/7) Stylistically, the temple is a blend of Ancient Greek architecture and local Armenian influences. Decorated with Ionic columns, it is constructed with local grey basalt and without mortar, instead being held together with iron clamps. It also features floral friezes.
(1/7) Hadrian's Mausoleum, more commonly known today as Castel Sant'Angelo, is a stunning cylindrical building on the northern bank of the River Tiber in Rome, Italy.
(2/7) The construction of this towering mausoleum began in the 120's CE, and it was not quite complete when Hadrian died aged 63 in 138. It was finished the following year by Antoninus Pius, and saw most of the Antonine and Severan imperial families deposited there.
(3/7) Stylistically, Hadrian's Mausoleum was a potent symbol of imperial power. Separated from much of the city across the Tiber, it was encased in white Italian luna marble, with an elaborate cornice and decorated friezes. It was topped with a garden and a golden quadriga.
Produced c. 7th century CE, the bezel depicts the bride and groom being crowned by the haloed figures of Jesus and Mary. Beneath them is the word: "Harmony".
(2/3) Remarkably, the exterior of the ring is also heavily inscribed with seven scenes from Jesus's life in chronological order, from the Annunciation to the Resurrection.
A personalised wish by the married couple is also featured: โLord, help thy servants, Peter and Theodote".
(3/3) The edges of the bezel also feature a verse from the #Gospel of John (14:27) that asks God to grant the newlyweds peace.
The ring testifies not only to the intimacy of the couple, but of their steadfast devotion to #God on a small, personal level.
(1/8) One of the twelve Olympians and the herald of the gods, Hermes also played the role of protector of human heralds, travellers, thieves and merchants.
(2/8) In Greek mythology, Hermes was the son of Zeus and Maia. In reality, he appears to have emerged in Mycenaean Greece in the Late Bronze Age. His name first appears in Linear B syllabic script as "hermฤhฤs", and he may have been adopted from Mesopotamia.
(3/8) Beyond his role as messenger, Hermes was also able to freely move between the realms of mortals and the divine. As such, he also played the role of psychopomp, or "soul guide", directing the souls of the dead into Hades.
(2/6) Produced using a lost wax process, the sculpture depicts a naked and athletic figure reclining on his spear in a pose traditionally associated with heroism. Inspired by the 4th century BCE "Heracles" of the artist Lysippos, it was likely produced in the city of Rome.
(3/6) The identity of the figure has been a point of academic debate. Alternatively known as the Seleucid Prince, the sculpture was originally believed to depict either Seleucus I, the founder of the Seleucid Empire, or Attalus II, the King of Pergamon.