(1/7) The Temple Garni is situated in the village of Garni in #Armenia, and stands as the only Greco-Roman temple in the nation. It sits on a cliff edge by the Azat River and the Gegham mountains.
(2/7) Constructed in the 1st century CE, it was most likely built under the Armenian king Tiridates I as a temple of Mihr, the Armenian sun god. Supported and crowned as king by the Roman Emperor Nero, it is thought Tiridates adopted Mihr as his patron deity and protector.
(3/7) Stylistically, the temple is a blend of Ancient Greek architecture and local Armenian influences. Decorated with Ionic columns, it is constructed with local grey basalt and without mortar, instead being held together with iron clamps. It also features floral friezes.
(4/7) During the 4th century CE, the king Tiridates III adopted Christianity as the state religion. Uniquely, the Temple of Garni was spared destruction, and it remains unknown as to why. It has been argued however that its cultural and artistic importance may have saved it.
(5/7) Following the 4th century, it was used as a royal summer house, initially by Khosrovidukht, the sister of Tiridates III. In 1679, the temple collapsed due to an earthquake and remained ruined until the 19th century, when investigative excavations were undertaken.
(6/7) The temple, as it stands today, is a result of a reconstruction undertaken by Armenian archaeologists between 1969 - 1975. Using the anastylosis method, in which as much original material is used as possible, they pieced the temple back together as accurately as they could.
(7/7) Now restored, the temple serves as an incredibly important symbol of culture for Armenia, as well as a significant tourist attraction. Furthermore, each year it hosts the Armenian summer ceremony of Vardavar.
(1/7) Hadrian's Mausoleum, more commonly known today as Castel Sant'Angelo, is a stunning cylindrical building on the northern bank of the River Tiber in Rome, Italy.
(2/7) The construction of this towering mausoleum began in the 120's CE, and it was not quite complete when Hadrian died aged 63 in 138. It was finished the following year by Antoninus Pius, and saw most of the Antonine and Severan imperial families deposited there.
(3/7) Stylistically, Hadrian's Mausoleum was a potent symbol of imperial power. Separated from much of the city across the Tiber, it was encased in white Italian luna marble, with an elaborate cornice and decorated friezes. It was topped with a garden and a golden quadriga.
Produced c. 7th century CE, the bezel depicts the bride and groom being crowned by the haloed figures of Jesus and Mary. Beneath them is the word: "Harmony".
(2/3) Remarkably, the exterior of the ring is also heavily inscribed with seven scenes from Jesus's life in chronological order, from the Annunciation to the Resurrection.
A personalised wish by the married couple is also featured: βLord, help thy servants, Peter and Theodote".
(3/3) The edges of the bezel also feature a verse from the #Gospel of John (14:27) that asks God to grant the newlyweds peace.
The ring testifies not only to the intimacy of the couple, but of their steadfast devotion to #God on a small, personal level.
(1/8) One of the twelve Olympians and the herald of the gods, Hermes also played the role of protector of human heralds, travellers, thieves and merchants.
(2/8) In Greek mythology, Hermes was the son of Zeus and Maia. In reality, he appears to have emerged in Mycenaean Greece in the Late Bronze Age. His name first appears in Linear B syllabic script as "hermΔhΔs", and he may have been adopted from Mesopotamia.
(3/8) Beyond his role as messenger, Hermes was also able to freely move between the realms of mortals and the divine. As such, he also played the role of psychopomp, or "soul guide", directing the souls of the dead into Hades.
(2/6) Produced using a lost wax process, the sculpture depicts a naked and athletic figure reclining on his spear in a pose traditionally associated with heroism. Inspired by the 4th century BCE "Heracles" of the artist Lysippos, it was likely produced in the city of Rome.
(3/6) The identity of the figure has been a point of academic debate. Alternatively known as the Seleucid Prince, the sculpture was originally believed to depict either Seleucus I, the founder of the Seleucid Empire, or Attalus II, the King of Pergamon.
(2/5) Originally, an Archaic-period temple sat on the site. Made of tufa, it was destroyed c. 480 BCE during the #Persian invasion of Greece. Despite being destroyed, the Athenians placed a captured Persian trireme on its ruins following the allied Greek victory in 479 BCE.
(3/5) Today, the surviving temple was constructed between 444 - 440 BCE, and serves as one of the major monuments of the Athenian golden age. Later described by Strabo as a "noteworthy settlement", it remained a significant cult centre into the #Roman imperial period.