(1/8) Located in #Rome, Italy, the Pantheon is arguably the best surviving example of Imperial #Roman architecture. Richly decorated with Corinthian columns and a variety of coloured marble, it is truly a remarkable site.
(2/8) Originally constructed during the reign of the emperor Augustus under the patronage of Marcus Agrippa, the current temple is actually a reconstruction undertaken by Trajan and Hadrian following an earthquake. Finished in 126CE, the original inscription was retained:
(3/8) "M·AGRIPPA·L·F·COS·TERTIVM·FECIT"
"M[arcus] Agrippa L[ucii] f[ilius] co[n]s[ul] tertium fecit"
"Marcus Agrippa, son of Lucius, made [this building] when consul for the third time."
(4/8) The Pantheon is an incredible feet of engineering. Its most significant feature is the freestanding concrete tufa dome, which for 1,300 years was the largest in the world. To this day, its dome remains the largest unsupported concrete dome in the world.
(5/8) A former Roman temple, the Pantheon derives its name from the Ancient #Greek "Πάνθειον" (Pantheion), meaning "of, relating to, or common to all the gods". Its original purpose is unknown. Whilst its name indicates a religious function, no ancient sources can confirm this.
(6/8) In 609 CE, the Pantheon was converted into a church, thus allowing it to survive the Medieval period relatively unscathed. However, the exterior of the Pantheon, originally clad in exquisite Pentelic marble, was quarried over the centuries for church building in Rome.
(7/8) Throughout the #Medieval and #Renaissance periods, additions were made to the interior of the Pantheon. The remains of significant Italian figures, like the artist Raphael and the first Italian king Victor Emmanuel II, now reside within the rotunda.
(8/8) The importance and influence of the Pantheon on architecture throughout the world cannot be understated. Emulated across the globe from America to China, this iconic and irreplaceable Roman building has shaped architectural approaches from the Renaissance and beyond.
There is so, so much more to be said about this wonder of the ancient world. For more information, we recommend "Rome - An Oxford Archaeological Guide" by Amanda Claridge.
(1/7) Situated in Rome between the Colosseum and the Palatine Hill, this imposing triumphal arch spans the Via Triumphalis, a road taken by victorious Roman generals celebrating a triumph.
(2/7) Built between 312 - 315 CE, this monument commemorated Constantine's victory over his rival Maxentius at the Battle of the Milvian Bridge in 312. Commissioned by the senate, it was unveiled on 25th July 315 to much celebration and prayer.
(3/7) Stylistically, the arch is a clear example of the downfall of Classical Greek art forms in the Roman period, and a sign of the city's decline. Re-using reliefs of Trajan, Hadrian and Marcus Aurelius alongside those of Constantine, it presented a mixed artistic message.
(1/7) The witty and entertaining tomb of Marcus Vergilius Eurysaces is one of the best-preserved freedmen funerary monuments in #Rome and sits in a prominent position at the Porta Maggiore.
(2/7) Built c. 30 - 20 BCE, this extravagant site reflects both Eurysaces' wealth and sense of humour. A freedman who must have made a fortune from a chain of bakeries supplying bread for public rations, he seems to have been immensely proud of his position and riches.
(3/7) Indeed, his tomb is an architectural pun. Made of tufa and white marble, it takes the form of bakery equipment. The three rows of medallions at the top are dough-kneading bins on their sides, and the lower 'columns' are upright dough-bins stacked on top of one another.
(1/9) Located in #Rome, the Pyramid of Cestius is one of the best preserved classical buildings in the city. Moreover, as an imitation of an #Egyptian pyramid, it is also one of the most unique.
(2/9) Built between 18 - 12 BCE, the pyramid was constructed as a tomb for Gaius Cestius. Cestius had served as a praetor, tribune of the plebs, and was a member of the Septemviri Epulorum, one of the four great religious corporations of the city.
(3/9) Stylistically, it appears to imitate the pointed pyramids of Nubia, particularly in the ancient Kingdom of Meroë. In 23 BCE, Rome attacked this kingdom, leading scholars to postulate that Cestius may have served in this campaign and been inspired by Nubian architecture.
(2/5) Originally, an Archaic-period temple sat on the site. Made of tufa, it was destroyed c. 480 BCE during the #Persian invasion of Greece. Despite being destroyed, the Athenians placed a captured Persian trireme on its ruins following the allied Greek victory in 479.
(3/5) The surviving temple was constructed between 444 - 440 BCE, and serves as one of the major monuments of the Athenian golden age.
Later described by Strabo as a "noteworthy settlement", it remained a significant cult centre into the #Roman imperial period.
(1/8) Located in Chichester, #England, Fishbourne Roman Palace (@romanpalace) is an incredible example of Roman residential architecture and is thus far the largest building known from #RomanBritain.
(2/8) Fishbourne Palace has very early origins compared to the many sites of Roman Britain. Occupation of the site appears to have started in 43 CE, the year of the Roman invasion. Initially, Fishbourne acted as a supply depot for the Roman army.
(3/8) By the 60's CE, the site had developed into a stone-walled villa, which featured a colonnaded courtyard garden and bathhouse. Based on excavations, it appears Italian craftsmen were employed to decorate Fishbourne with wall paintings and stucco mouldings.
(1/6) The stunning Temple of Augustus is situated in the city of Pula in #Croatia, and stands as one of the best preserved Greco-Roman temples outside of Italy.
(2/6) Built between 27 BCE - 14 CE, it was dedicated to the Emperor Augustus during his lifetime. Part of a collection of three temples, the Temple of Augustus sat to the left of two now destroyed temples, one of which was dedicated to the goddess Diana.
(3/6) The dedicatory inscription, originally in bronze lettering, read:
ROMAE · ET · AVGVSTO · CAESARI · DIVI · F · PATRI · PATRIAE
"In honour of Rome and Augustus Caesar, son of the deified [Julius], father of his country."