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Connor Ratliff @connorratliff
, 8 tweets, 4 min read Read on Twitter
Just read this interview from a few weeks ago where @aimeemann talks in detail about her early records and when it got to the end I wanted the conversation to keep going all the way up to the present day. It's a really great conversation.

stereogum.com/2021942/aimee-…
I remember "discovering" @aimeemann's music in 1996, when I was living in Liverpool and the album I'm With Stupid made me feel less creatively lonely at a time when I was frustrated & angry. The opening lines to this song hit me like a ton of bricks, in a good way:
That album remains one of my favorite records of all time, and back when I first got it I listened to it obsessively. Every song on it sounds great to me, and I feel like I learned more about the way the world is from the sentiments on that record than I ever learned in school.
Stuff like this in the interview just enrages me. This is from the Til Tuesday years but this kind of unimaginative person with the power to say "no" to good ideas remains a huge problem in every nook & cranny of show business, and probably every business!
I remember being so angry when waiting for Bachelor No. 2 to be self-released because idiotic record labels didn't want it. This was before PTA built Magnolia around her songs & proved that none of the people at those labels knew what the fuck they were talking about.
The PTA-directed music video for "Save Me" is what I watch when I don't have 3 spare hours to watch all of "Magnolia" and it scratches the itch.
It's also a great example of how everything is swings & roundabouts bc no label could "hear a single" but here she is not long after with Tom Cruise in the music video so those idiots can go fuck themselves and yet the Oscar somehow goes to the song from the Tarzan movie
Anyway that interview is a great read & makes me wanna go back & re-listen to all of the records but I gotta wait till after XMAS. Til then, this is the only one I can listen to. (I was asked on a radio show yesterday to name a great modern xmas LP & this was the one I named 1st)
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