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(1/15) Community Engaged History in the Midst of Community Displacement.
The Humanities Truck exhibit “Downtown Displaced” evolved from a five-month long collaboration with Homeless Filmmakers Co-op (HFC) in Washington, DC. #NCPH2020 #s49 #humanitiestruck
(2/15) The project embraced a model of research justice. HFC defined the topic, the research questions, and the project themes. Through workshops, they co-interpreted the research, co-created the exhibit, and solely authored a performance. #NCPH2020 #s49 #humanitiestruck
(3/15) Community Based Research depends on fluidity, an ability to change course, ditch preconceptions, and explore new directions that have yet to be conceptualized. Be comfortable with perplexity and be prepared to be patient and flexible. #NCPH2020 #s49 #humanitiestruck
(4/15) HFC had been invited to do a presentation at the May 2019 opening of Apple’s store in DC’s Carnegie Library, the heart of a formerly thriving African American and immigrant community – ground zero for displacement in DC. #NCPH2020 #s49 #humanitiestruck
(5/15)HFC sought to clarify Apple’s culpability in community displacement and approached me seeking assistance with historical research after seeing the truck exhibit “Whose Downtown?” HFC sought to understand the long history of displacement. #NCPH2020 #s49 #humanitiestruck Photograph of exterior of Humanities Truck, a step van with a maroon, blue and red wrap that incorporates a map of DC. Photograph of the interior of the Humanities Truck, displaying the exhibit Whose Downtown? at the Homeless Memorial Vigil in Washington, DC in December 2018.  Recessed lights glow on the ceiling, the walls are white, dozens of photographs and documents are mounted on them with captions.
(6/15) HFC defined the topic and the chronological scale. I gained a commitment to do events in the community for a Grassroots Audience. HFC understandably sought a Mainstream Audience. Given our positions, both strategies made sense. #NCPH2020 #s49 #humanitiestruck
(7/15) Research Justice calls for knowledge flows that contribute to building power on the left side of the Knowledge Grid. My university position puts me in the upper right corner. From there, RJ entails cultivating a Grassroots Audience. #NCPH2020 #s49 #humanitiestruck The image is of the Knowledge Grid.  The left side is Grassroots Information Flow.  The right side is Mainstream Information Flow.  The top is Source and the bottom is Audience.  At the upper left corner is Grassroots Information.  At the lower left corner is Grassroots Audience.  At the upper right corner is Mainstream of Institutional Information.  At the lower right corner is Mainstream or Institutional Audience.
(8/15) Research Justice stands in contrast to a colonial model of knowledge extraction – documenting grassroots information for university based archival collections, scholarly research, and mainstream audiences. #NCPH2020 #s49 #humanitiestruck Image of Colonial Model of OH/PH Practice: Knowledge Extraction.  Big red arrow flowing from Grassroots Community that says “Collect” pointing to Academia, Classroom, Archives.  Thinner arrows point from there to The Outside Audiences: Imagined NPR “Public” (podcasts, books, websites, exhibits) and Scholars (Conferences, Articles, Books). Lower right says, “Shout Out to Helen Lewis.”
(9/15) Historical Society of Washington DC crafted an exhibit on the “official history” of the building that focused on the its preservation as an unqualified success. They also assisted with our project, providing images and information. #NCPH2020 #s49 #humanitiestruck Image titled “Historical Society of Washington DC, exhibition of Carnegie Library” that traces the narrative arc of the “Official” History of the Carnegie Library.  Red arrows signal the rise, decline, and rise again of the library from its construction, abandonment, and renovation.
(10/15) Our historical interpretation arose from workshops with survivors of homelessness who identified the themes that shaped our research and exhibit creation. They defined what the Carnegie Library and its renovation meant for them. #NCPH2020 #s49 #humanitiestruck Image titled, “Generating Themes: What is the Meaning of the Carnegie Library?”  Two photos of a workshop with themes listed as: “Bad News for the Poor,” “False Promises,” “Not for Us,” and “Hidden Plans.”
(11/15) The themes required Researching Up, documenting “hidden plans” and “false promises.” Research Justice involved bringing Institutional Information to the Grassroots who interpreted documents and further refined research questions. #NCPH2020 #s49 #humanitiestruck Image titled “Research, Workshop, Research, Workshop” shows a picture of a workshop inside the Humanities Truck where members of the Homeless Filmmakers Co-op review archival documents.  One of these documents, a 1961 “Architectural Study for Mount Vernon Square” is also included.
(12/15) Drawing from months of workshops, we co-crafted an interpretive plan, an exhibit script, a performance script, and an exhibit and performance. HFC members worked alongside truck staff to construct and mount the exhibit in the truck. #NCPH2020 #s49 #humanitiestruck Image titled “Co-Create: Exhibit and Perform” incorporates a photograph of a team of individuals who have just completed mounting the exhibit “Downtown Displaced” on the interior of the Humanities Truck.
(13/15) The exhibit Downtown Displaced traces two separate displacements, one that preceded the construction of the library and the other that culminated with the arrival of Apple. bit.ly/33zwnvL #NCPH2020 #s49 #humanitiestruck The title poster for the exhibit “Downtown Displaced: A Case Study of Gentrification in Mount Vernon Square 1840-Present.”  The title overlays an aerial image of Mount Vernon Square from the 1980s, which prominently features large numbers of parking lots surrounding the Carnegie Library.
(14/15) The truck brought the exhibit to Grassroots audiences, creating spaces for discussion and reflection within the community of people experiencing homelessness. HFC members directed their presentation and demands to Apple Corporation. #NCPH2020 #s49 #humanitiestruck Image titled “Reflect” includes two photographs, one with the truck parked outside the Church of the Epiphany, where Street Sense Media is headquartered.  The other shows a discussion within the truck while the exhibit Downtown Displaced is mounted.
(15/15) The work on this project has been heavily inspired by Helen Lewis’s work on Participatory Research as well as Reem Asil, Miho Kim, and Saba Waheed’s reflections on Research Justice. For further readings, see the image attached. #NCPH2020 #s49 #humanitiestruck Image titled Selected Readings lists the following: Reem Assil, Miho Kim, Saba Waheed, “An Introduction to Research Justice”; Paulo Freire, “Dialogics”; Chávez, Duran, Baker, Avila, and Wallerstein, “The Dance of Race and Privilege in Community Based Participatory Research”; Helen Lewis and Juliet Merrifield, “Participatory Research, 1983-1999” and others.  Contact @drdankerr for a complete list.
Thanks for following this thread! The students in my Engaged Community History course did amazing research throughout this project. Their work was critical to the success of our collaboration. See bit.ly/33zwnvL for a list of project participants.
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