The Humanities Truck exhibit “Downtown Displaced” evolved from a five-month long collaboration with Homeless Filmmakers Co-op (HFC) in Washington, DC. #NCPH2020 #s49 #humanitiestruck
![Photograph of exterior of Humanities Truck, a step van with a maroon, blue and red wrap that incorporates a map of DC. Photograph of the interior of the Humanities Truck, displaying the exhibit Whose Downtown? at the Homeless Memorial Vigil in Washington, DC in December 2018. Recessed lights glow on the ceiling, the walls are white, dozens of photographs and documents are mounted on them with captions.](https://pbs.twimg.com/media/ETk_2oQXkAIe-mc.jpg)
![The image is of the Knowledge Grid. The left side is Grassroots Information Flow. The right side is Mainstream Information Flow. The top is Source and the bottom is Audience. At the upper left corner is Grassroots Information. At the lower left corner is Grassroots Audience. At the upper right corner is Mainstream of Institutional Information. At the lower right corner is Mainstream or Institutional Audience.](https://pbs.twimg.com/media/ETlAZODWAAEpLpu.jpg)
![Image of Colonial Model of OH/PH Practice: Knowledge Extraction. Big red arrow flowing from Grassroots Community that says “Collect” pointing to Academia, Classroom, Archives. Thinner arrows point from there to The Outside Audiences: Imagined NPR “Public” (podcasts, books, websites, exhibits) and Scholars (Conferences, Articles, Books). Lower right says, “Shout Out to Helen Lewis.”](https://pbs.twimg.com/media/ETlmhtoWkAAOqfM.jpg)
![Image titled “Historical Society of Washington DC, exhibition of Carnegie Library” that traces the narrative arc of the “Official” History of the Carnegie Library. Red arrows signal the rise, decline, and rise again of the library from its construction, abandonment, and renovation.](https://pbs.twimg.com/media/ETlmvNdWkAo3oc2.jpg)
![Image titled, “Generating Themes: What is the Meaning of the Carnegie Library?” Two photos of a workshop with themes listed as: “Bad News for the Poor,” “False Promises,” “Not for Us,” and “Hidden Plans.”](https://pbs.twimg.com/media/ETlnAhKXQAMbYut.jpg)
![Image titled “Research, Workshop, Research, Workshop” shows a picture of a workshop inside the Humanities Truck where members of the Homeless Filmmakers Co-op review archival documents. One of these documents, a 1961 “Architectural Study for Mount Vernon Square” is also included.](https://pbs.twimg.com/media/ETlnNi8X0AYBy6m.jpg)
![Image titled “Co-Create: Exhibit and Perform” incorporates a photograph of a team of individuals who have just completed mounting the exhibit “Downtown Displaced” on the interior of the Humanities Truck.](https://pbs.twimg.com/media/ETlnaguXgAAtI8N.jpg)
![The title poster for the exhibit “Downtown Displaced: A Case Study of Gentrification in Mount Vernon Square 1840-Present.” The title overlays an aerial image of Mount Vernon Square from the 1980s, which prominently features large numbers of parking lots surrounding the Carnegie Library.](https://pbs.twimg.com/media/ETlnmLbX0AA6cMt.jpg)
![Image titled “Reflect” includes two photographs, one with the truck parked outside the Church of the Epiphany, where Street Sense Media is headquartered. The other shows a discussion within the truck while the exhibit Downtown Displaced is mounted.](https://pbs.twimg.com/media/ETlnyj9X0AUABBj.jpg)
![Image titled Selected Readings lists the following: Reem Assil, Miho Kim, Saba Waheed, “An Introduction to Research Justice”; Paulo Freire, “Dialogics”; Chávez, Duran, Baker, Avila, and Wallerstein, “The Dance of Race and Privilege in Community Based Participatory Research”; Helen Lewis and Juliet Merrifield, “Participatory Research, 1983-1999” and others. Contact @drdankerr for a complete list.](https://pbs.twimg.com/media/ETln-nUXkAIGTA-.jpg)
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