Follow these simple guidelines, and you too can produce immersive and convincing period fiction – all without ever setting foot in the actual past.
Precipitation persisted for centuries, as did extremely portentous mists. You’re going to want to mention these.
Inject some adventure by having your heroine go for a walk. Even if she survives the drizzle, she will be ridden down by a brooding nobleman.
‘But soft,’ your hero might say, ‘here’s the impudent motherfucker now.’
Use these period details to create a sense of period detail.
Don’t waste all this tragic potential. Your consumptive heroine could fall in love in utero, then be ripped from the womb and eaten by wolves.
Give your novel that sweeping epic feel by introducing a couple of warring toothless* nonagenarian sisters who have never known the hand of man.
*Or vampires, which could also work.
Men had countenances instead of faces, so everyone concentrated on the shapeliness of their calves instead.
Until then, a reply in the affirmative was formed using up to a dozen words. Consider this exchange.
‘Are you the villain Morley, sir?’
‘Aye, by my troth, such doth it be, mark ye, it is verily so.’
A blood relationship, a sunken cargo, something a gypsy said.
Absolutely whatever the fuck. Just reveal it at the end, you’ll be fine.