The best kind of legacy filmmaker. Everything is great in this movie- Clare Mathon's images. Fatima Al Qadiri's score. But my favorite thing about it: FANTA. ALSO: Surprisingly good double bill with Magruber. In my world that’s a compliment.
It’s so hard to make a movie funny. It’s annoying when the person making it funny is also good at camera and acting and is a movie star and has a big smart brain but I suppose we all just have to get over it.
She’s fearless. She’s funny. She never quits. She throws herself in the deep end and figures it out. All that confidence and yet a joy to work with. This movie made me laugh and cry. I don’t know what more you can ask for. Liz is my hero.
No directorial effort surprised me more. The attention to detail in every character, environment, and shot. You don’t show up and find that on the day. You design it. I saw it with 3 men and we laughed and cried the whole time wtf
This film should be unsustainably strange. And yet it never overstays its welcome. I laughed the whole way through. 2 unique writer/performer/ first-time feature directors who know how to sustain our engagement and put it to good use.
I could watch Geraldine Viswanathan skateboard for hours. This movie is personal and intimate and daring and turns its observant specificity into something universal.
“Make me look good Honey Boy.” Is one of my favorite lines of the year. And one of my favorite performances. And my favorite Conceptual Art Self Portrait Film.
A feature film debut for these two directors. And a masterpiece.
Mari wanted to subtitle this film “Men and their feelings.” Well, this man cried a LOT. It's also the best last shot of any movie this year. I'll try to recreate it on my keyboard now: AGDFLSKJL;LKDS!!!
I love her writing. Mistress America! Frances Ha! And I admire her directing even more? There’s care and story and humor and observation and expression in every choice. She makes it look easy. It isn’t. AND SHE DOESN’T IMPROVISE WTF
No one's seen this, but it's one of my top 3 animated movies of the year. It’s warm and funny and visually daring. It’s the essence of animation: story and character brought to life through MOVEMENT. And the dog is fucking CUTE.
Like…how is anything this good? The female gaze! Another female gaze! Sciamma's gaze gazing the first 2 gazes. Our gaze gazing their 3 amazing gazes. Christ. A movie about looking is the most overlooked movie of awards season.
Just...Mythmaking. Melina should get offered every big studio job, and she’s so cool she’ll probably turn them all down. Also she is Cuban-American like me so someday I’m going to try to prove we’re cousins.
An origin story of a filmmaker and an artist. It doesn’t just show you pain and suffering, it offers a suggestion of what to do with it. Also DOUBLE SWINTONS.
FROZEN II directed by Jennifer Lee (who wrote the script) and Chris Buck — the highest grossing animated feature of all time. Anyone who questions the commercial viability of women filmmakers is about to not make 1.3 billion dollars.