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Welcome to CROSSNIQ+ #y2kwednesday!
We're partnering with @y2k_aesthetic, the #1 spot in cyberspace for vintage y2k design, to take a look at some y2k design that inspired the look of CROSSNIQ+.
We're starting with one of the most famous faces of y2k - The Designers Republic!
We're partnering with @y2k_aesthetic, the #1 spot in cyberspace for vintage y2k design, to take a look at some y2k design that inspired the look of CROSSNIQ+.
We're starting with one of the most famous faces of y2k - The Designers Republic!
Founded in 1986 in Sheffield, TDR became one of the most recognizable design houses of the 1990s. Building their reputation by doing album art for groups like PWEI, Yellow Magic Orchestra, and LFO, they exploded internationally with their famous Emigre #29 magazine cover.
From ads, to flyers, to even restaurants, TDR became famous for its use of meta-narrative in its design, which was inspired by industrial iconography, contemporary Japanese graphic design, and growing cynicism towards consumer culture.
TDR gained popularity in the video game world for its work on the Wipeout series of futuristic racing games. TDR explored every aspect of Wipeout - branding, corporate sponsor, and even interface - establishing unique identities for the game's teams with use of dynamic forms.
As for CROSSNIQ+, the influence is plain to see! The industrial theme of Endless Mode, the more racing-oriented vibe of Time Attack Mode, and various flourishes throughout the game all pay homage to the distinctive stylish edge of The Designers Republic.
Thanks for sticking around - if you're curious for more y2k goodness, or about The Designers Republic, check out @y2k_aesthetic's analysis of the famous Wipeout logo!
